ºÚÁÏÉç

Skip navigation

Main menu

  • What's on
  • Art & Artists
    • The Collection
      Artists
      Artworks
      Art by theme
      Media
      Videos
      Podcasts
      Short articles
      Learning
      Schools
      Art Terms
      Tate Research
      Art Making
      Create like an artist
      Kids art activities
      Tate Draw game
  • Visit
  • DISCOVER ART
  • ARTISTS A-Z
  • ARTWORK SEARCH
  • ART BY THEME
  • VIDEOS
  • ART TERMS
  • SCHOOLS
  • TATE KIDS
  • RESEARCH
  • Tate Britain
    Tate Britain Free admission
  • ºÚÁÏÉç
    ºÚÁÏÉç Free admission
  • Tate Liverpool + RIBA North
    Tate Liverpool + RIBA North Free admission
  • Tate St Ives
    Tate St Ives Ticket or membership card required
  • FAMILIES
  • ACCESSIBILITY
  • SCHOOLS
  • PRIVATE TOURS
Tate Logo

Alexis Hunter

1948–2014

Approach to Fear: XVII: Masculinisation of Society - exorcise 1977
© Alexis Hunter

Biography

Alexis Jan Atthill Hunter (4 November 1948 – 24 February 2014) was a New Zealand painter and photographer, who used feminist theory in her work. She lived and worked in London UK, and Beaurainville France. Hunter was also a member of the Stuckism collective.Her archive and artistic legacy is now administered by the Alexis Hunter Trust.

This biography is from Wikipedia under an . Spotted a problem? Let us know.

Feminist art

Artworks

  • Approach to Fear XIII: Pain - Destruction of Cause

    Alexis Hunter
    1977
  • Approach to Fear: XVII: Masculinisation of Society - exorcise

    Alexis Hunter
    1977

Film and audio

  • Interview

    Alexis Hunter: 'We knew we were making history'

Artwork
Close

Join in

Sign up to emails

Sign up to emails

This site is protected by reCAPTCHA and the Google and apply.

°Õ²¹³Ù±ð’s privacy policy

About

  • About us
  • Our collection
  • Terms and copyright
  • Governance
  • ARTIST ROOMS
  • Tate Kids

Support

  • ºÚÁÏÉç
  • Patrons
  • Donate
  • Corporate
  • Press
  • Jobs
  • Accessibility
  • Privacy
  • Cookies
  • Contact
© The Board of Trustees of the Tate Gallery, 2025
All rights reserved