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Deimantas Narkevičius (born 24 May 1964 in Utena, Lithuanian SSR) is one of the most consistent and widely recognised Lithuanian artists on the international art scene. Originally trained as a sculptor, Narkevičius has mainly worked with film and video. Employing documentary footage, voice-overs, interviews, re-enactments and found photographs, his films submit historical events to the narrative structures of storytelling and cinema. In his artistic practice Narkevičius examines the relationship of personal memories to political histories, particularly those of his native Lithuania. For the artist, history itself has become both material and methodology.

Since 1992 Narkevičius has exhibited extensively in important contemporary art venues and events worldwide, including Centre Pompidou (Paris), Museo Nacional Centro De Arte Reina Sofia (Madrid), ������ (London), Museum of Modern Art (New York), Stedelijk Museum (Amsterdam). He represented Lithuania at the 49th Venice Biennale in 2001 and two years later exhibited at the 50th Venice Biennale in Utopia Station curated by Molly Nesbit and Hans Ulrich Obrist. Narkevičius's work was shown at Manifesta II (Luxembourg, 1998) and Manifesta X (St. Petersburg, 2014). Amongst his most recent solo shows are 20 July.2015 at Maureen Paley (London, 2017), Books on Shelves and Without Letters at The Blank Contemporary Art (Bergamo, 2016), Archeology of Memories at former KGB building (Riga, 2015). Narkevičius's major retrospective opens at the National Gallery of Art in Vilnius, Lithuania, in December 2017.

Narkevičius's works are a part of major private and public collections such as ������ (London), Moderna Museet (Stockholm), Modern Art Museum (Vilnius). In 2008 for his achievements in art Narkevičius has been awarded the Vincent Award and the Lithuanian National Prize for Culture and Arts. His film Restricted Sensation (2011) was a nominee for the best short feature at the 2012 Silver Crane film awards.

Narkevičius lives and works in Vilnius, Lithuania.