ºÚÁÏÉç

Skip navigation

Main menu

  • What's on
  • Art & Artists
    • The Collection
      Artists
      Artworks
      Art by theme
      Media
      Videos
      Podcasts
      Short articles
      Learning
      Schools
      Art Terms
      Tate Research
      Art Making
      Create like an artist
      Kids art activities
      Tate Draw game
  • Visit
  • DISCOVER ART
  • ARTISTS A-Z
  • ARTWORK SEARCH
  • ART BY THEME
  • VIDEOS
  • ART TERMS
  • SCHOOLS
  • TATE KIDS
  • RESEARCH
  • Tate Britain
    Tate Britain Free admission
  • ºÚÁÏÉç
    ºÚÁÏÉç Free admission
  • Tate Liverpool + RIBA North
    Tate Liverpool + RIBA North Free admission
  • Tate St Ives
    Tate St Ives Ticket or membership card required
  • FAMILIES
  • ACCESSIBILITY
  • SCHOOLS
  • PRIVATE TOURS
Tate Logo

Ivor Roberts-Jones

1916–1996

Paul Claudel ³¦.1955–7
© reserved

Biography

Ivor Roberts-Jones (2 November 1913 – 9 December 1996) was an English sculptor of Welsh descent on both his parents' sides. He is best known for his sculpted heads of notable people such as Yehudi Menuhin and George Thomas, Viscount Tonypandy.

He was born in Oswestry, where one of his works, The Borderland Farmer, stands in the town centre. He studied at Oswestry School and Worksop College before attending Goldsmiths College, London and the Royal Academy of Arts.

During the Second World War he served in the Burma Campaign. From 1964 he taught sculpture at Goldsmiths, University of London.

He received his first full-scale commission in 1964 for the memorial sculpture of the Bohemian British painter Augustus John (1878–1961). This sculpture took three years to complete and required major alteration (from a double sculpture of John and his wife Dorelia) due to limitation of funds. Nonetheless, the final 1967 single-figure sculpture was dramatically successful and led to Roberts-Jones's election as an Associate of the Royal Academy. This sculpture was erected in Fordingbridge, Hampshire, near John's last home.

In 1971 he was commissioned to produce the full-length statue of Winston Churchill which now stands in Parliament Square, London. The artist Kyffin Williams, a friend of Roberts-Jones, is said to have acted as the model for Churchill. The organiser of the appeal to raise money for the statue did not like its initial appearance, and reported: "At the moment the head is undoubtedly like Churchill, but perhaps not quite right of him at the pinnacle of his career. The cheeks, the eyes, the forehead and the top of the head require improvement. I told Mr Roberts-Jones that above the eyes I thought I was looking at Mussolini." The sculptor promised to "remove the dome of the head to bring about a lowering of the forehead".

Roberts-Jones's 1984 sculpture The Two Kings at Harlech Castle illustrates a scene from Welsh mythology, in which Bendigeidfran carries the body of his nephew Gwern.

In 1988, Roberts-Jones was commissioned to produce a statue of the poet Rupert Brooke at Regent Place, a small triangular open space, in Brooke's birth town of Rugby. The statue was unveiled by Mary Archer.

This biography is from Wikipedia under an . Spotted a problem? Let us know.

Artworks

  • Paul Claudel

    Ivor Roberts-Jones
    ³¦.1955–7
Artwork
Close

Join in

Sign up to emails

Sign up to emails

This site is protected by reCAPTCHA and the Google and apply.

°Õ²¹³Ù±ð’s privacy policy

About

  • About us
  • Our collection
  • Terms and copyright
  • Governance
  • ARTIST ROOMS
  • Tate Kids

Support

  • ºÚÁÏÉç
  • Patrons
  • Donate
  • Corporate
  • Press
  • Jobs
  • Accessibility
  • Privacy
  • Cookies
  • Contact
© The Board of Trustees of the Tate Gallery, 2025
All rights reserved