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Noriyuki Haraguchi (1946-2020) was a Japanese artist who is known as a leading figure of Mono-ha and Post-mono-ha, with a precise attention paid to the materials used (often industrial), their spatial arrangement, the relationship with the exhibition space and the processual reach of the artistic practice. His first works reference the aesthetics and materials of militarism and heavy industry. From the 1970s onwards, his work turned to issues related to perception and representation by creating complex conversation between raw and manufactured materials exploring notions of modernity, industrialization, and nature in works with a beguiling formal beauty.