ºÚÁÏÉç

Skip navigation

Main menu

  • What's on
  • Art & Artists
    • The Collection
      Artists
      Artworks
      Art by theme
      Media
      Videos
      Podcasts
      Short articles
      Learning
      Schools
      Art Terms
      Tate Research
      Art Making
      Create like an artist
      Kids art activities
      Tate Draw game
  • Visit
  • DISCOVER ART
  • ARTISTS A-Z
  • ARTWORK SEARCH
  • ART BY THEME
  • VIDEOS
  • ART TERMS
  • SCHOOLS
  • TATE KIDS
  • RESEARCH
  • Tate Britain
    Tate Britain Free admission
  • ºÚÁÏÉç
    ºÚÁÏÉç Free admission
  • Tate Liverpool + RIBA North
    Tate Liverpool + RIBA North Free admission
  • Tate St Ives
    Tate St Ives Ticket or membership card required
  • FAMILIES
  • ACCESSIBILITY
  • SCHOOLS
  • PRIVATE TOURS
Tate Logo

Roger Hilton

1911–1975

Foliage with Orange Caterpillar 1974
© Roger Hilton. All Rights Reserved, DACS 2025
In Tate St Ives

Modern Art and St Ives

In Tate Britain

Prints and Drawings Rooms

4 artworks by Roger Hilton
View by Appointment
In Tate Britain

Library and Archive Reading Rooms

View by Appointment

Biography

Roger Hilton CBE (1911–1975) was a pioneer of abstract art in post-Second World War Britain. Often associated with the 'middle generation' of St Ives painters – Terry Frost, Patrick Heron, Peter Lanyon & Bryan Wynter – he spent much of his career in London, where his work was deeply influenced by European avant-garde movements such as tachisme and CoBrA.

He was born on 23 March 1911 in Northwood, Middlesex, and studied at the Slade School of Fine Art under Henry Tonks and also in Paris, where he developed links with painters on the Continent. At the Slade he won the Orpen prize in 1930. He was born Roger Hildesheim and his parents changed the name to Hilton in 1916, when anti-German feeling was prevalent.

In the Second World War, he served in the Army, part of the time as a Commando, for about three years being a prisoner of war after the Dieppe raid in 1942. He worked as a schoolteacher at Bryanston School, Dorset, from 1947 to 1948, and later taught at Central School of Arts and Crafts, 1954–56.

During the late 1950s and 1960s, Hilton's career began to take off and he started to spend more time in west Cornwall, moving there permanently in 1965. In the same year he married Rose Phipps, 20 years his junior, having divorced his first wife, Ruth David. He became a prominent member of the St. Ives School and gained an international reputation. He won the 1963 John Moores Painting Prize. In 1964 he exhibited at the British Pavilion at the Venice Biennale winning the UNESCO Prize. Hilton was appointed CBE in 1968.

By 1974, he was confined to bed as an invalid precipitated in part by alcoholism. His work became less abstract in his later years, often being based on the nude or images of animals. He died at Botallack, not far from St Ives, in 1975.

This biography is from Wikipedia under an . Spotted a problem? Let us know.

St Ives School Tachisme British Constructivism

Artworks

Left Right
  • Untitled

    Roger Hilton
    1974
    View by appointment
  • Untitled

    Roger Hilton
    1974
    View by appointment
  • Untitled

    Roger Hilton
    1974
    View by appointment
  • Woman with Dark Hair

    Roger Hilton
    1949
    View by appointment
  • January 1957

    Roger Hilton
    1957
  • Grey Day by the Sea, February 1960

    Roger Hilton
    1960
  • September 1961

    Roger Hilton
    1961
  • March 1960

    Roger Hilton
    1960
See all 18

Sketches, letters, etc.

  • Letter from Roger Hilton to J.P. Hodin

    Roger Hilton, recipient: Dr J. P. Hodin
    [1964]
    View by appointment

In the shop

Artwork
Close

Join in

Sign up to emails

Sign up to emails

This site is protected by reCAPTCHA and the Google and apply.

°Õ²¹³Ù±ð’s privacy policy

About

  • About us
  • Our collection
  • Terms and copyright
  • Governance
  • ARTIST ROOMS
  • Tate Kids

Support

  • ºÚÁÏÉç
  • Patrons
  • Donate
  • Corporate
  • Press
  • Jobs
  • Accessibility
  • Privacy
  • Cookies
  • Contact
© The Board of Trustees of the Tate Gallery, 2025
All rights reserved