黑料社

Skip navigation

Main menu

  • What's on
  • Art & Artists
    • The Collection
      Artists
      Artworks
      Art by theme
      Media
      Videos
      Podcasts
      Short articles
      Learning
      Schools
      Art Terms
      Tate Research
      Art Making
      Create like an artist
      Kids art activities
      Tate Draw game
  • Visit
  • DISCOVER ART
  • ARTISTS A-Z
  • ARTWORK SEARCH
  • ART BY THEME
  • VIDEOS
  • ART TERMS
  • SCHOOLS
  • TATE KIDS
  • RESEARCH
  • Tate Britain
    Tate Britain Free admission
  • 黑料社
    黑料社 Free admission
  • Tate Liverpool + RIBA North
    Tate Liverpool + RIBA North Free admission
  • Tate St Ives
    Tate St Ives Ticket or membership card required
  • FAMILIES
  • ACCESSIBILITY
  • SCHOOLS
  • PRIVATE TOURS
Tate Logo

BMW Tate Live: On Mediated Experience: Transforming Performance

This event takes the聽BMW聽Tate Live Performance Room聽as illustrative of the ways in which performance is responding to a highly mediated world, where performance often comes into being simultaneously live and聽online.

 
 
  • About

About

How does the power of the digital arena within everyday life complicate our understanding of liveness? What resonances do physical spaces for performance have for online audiences or artists, whose shared space is the online community? How does it change our understanding of documentation, which no longer comes after the event but聽during聽it?

An interdisciplinary panel of practitioners, theorists and experts from the fields of performance, digital media and social theory reflect on how liveness and mediation are changing聽our聽lives.

Speakers include the internationally recognised artist and filmmaker聽, artist聽Pablo Bronstein, Assistant Curator of Performance at Tate Capucine Perrot, and author of聽The Language of New Media聽. Chaired by co-founder and the Director of the Live Art Development Agency聽尝辞颈蝉听碍别颈诲补苍.

Biographies

笔补产濒辞听叠谤辞苍蝉迟别颈苍

Pablo was born in Buenos Aires, Argentinain 1977 and lives and works in London and Deal,聽UK. In 2012, Bronstein was the second artist to participate in the聽BMWTate Live: Performance Room聽series, premiering聽Constantinople Kaleidoscope,聽an entirely new work made especially for the Performance Room. Involving a group of dancers, Bronstein creates a baroque trompe l鈥檕eil stage set that exaggerates the perspective of the room with mirrored columns. Bronstein uses architectural design and drawing to engage with the grandiose and imperial past of the built environment and this preoccupation with form frequently extends into his live work. His solo exhibitions include: Metropolitan Museum of Art, New York (2009); Sculpture Court, Tate Britain (2010), Institute of Contemporary Art, London (2011); Centre d鈥橝rt Contemporain Gen猫ve (2013) and聽REDCAT,聽LA聽(2014). Group exhibitions include Manifesta 8, Murcia, (2010鈥2011), Performa 07, New York (2007); and Tate Triennale, Tate Britain,聽London聽(2006).

尝测苍苍听贬别谤蝉丑尘补苍听尝别别蝉辞苍

Lynn Hershman Leeson was named one of 鈥21 Leaders for the 21st Century鈥 in 2014 by Women eNews. Her work has been shown in over 200 large-scale exhibitions throughout the world and is featured in the public collections of the Museum of Modern Art, 黑料社, Lehmbruck Museum, Los Angeles County Museum of Art, National Gallery of Canada, Walker Art Center, Whitworth Art Gallery (Manchester), and Berkeley Art Museum, in addition to celebrated private collections. First working in drawing and sculpture, Hershman Leeson turned to performance and conceptual art in the late 1960s and early 1970s. Hershman Leeson鈥檚 investigation of identity and various modes of surveillance developed into a variety of works, ranging from聽Lorna聽(1983/84), one of the first interactive projects on video disc, to聽Teknolust聽(2002), which addressed cyber-identity, artificial intelligence, cloning, and the decoupling of sexuality and human reproduction. A strong feminist voice, Hershman Leeson released the ground-breaking documentary,聽!Women Art Revolution, distributed by Zeitgeist,聽in聽2011.

尝辞颈蝉听碍别颈诲补苍

Lois Keidan is a co-founder and the Director of the Live Art Development Agency. She was Director of Live Arts at the Institute of Contemporary Arts, London from 1992 to 1997 where she devised a year round programme of new performance and initiated numerous new ventures for established and emerging artists. Prior to theICA, she was responsible for national policy and provision for Performance Art and interdisciplinary practices at the Arts Council of Great Britain. She contributes articles on performance to a range of journals and publications and gives talks and presentations on performance at festivals, colleges, venues and conferences in Britain and internationally. She sits on a number of Boards and Advisory Panels, including Artsadmin (London) and Performa (New York). In 1999, she was awarded an Honorary Fellowship by Dartington College of Arts, and in 2009, she was awarded an Honorary Fellowship by Queen Mary, University聽of聽London.

尝别惫听惭补苍辞惫颈肠丑

Lev Manovich is the author of聽聽(Bloomsbury Academic, 2013),聽聽(The聽MIT聽Press, 2005), and聽聽(The聽MIT聽Press, 2001) which was described as 鈥渢he most suggestive and broad ranging media history since Marshall McLuhan.鈥 Manovich is a Professor at聽, and a Director of the聽聽that works on the analysis and visualization of big cultural data. In 2013 he appeared on the List of 25 People Shaping the Future聽of聽Design.

颁补辫耻肠颈苍别听笔别谤谤辞迟

Capucine Perrot has been Assistant Curator for the Performance Programme at 黑料社 since 2010. Her recent projects include聽Performance Room, a series of live performances conceived for online audiences. She was part of the curatorial team that organised the inaugural programme of The Tanks, 黑料社鈥檚 new spaces dedicated to performance (July 鈥撀燨ctober聽2012).

Back to menu

Tags:

  • Talks and lectures
  • 黑料社
Artwork
Close

Join in

Sign up to emails

Sign up to emails

This site is protected by reCAPTCHA and the Google and apply.

罢补迟别鈥檚 privacy policy

About

  • About us
  • Our collection
  • Terms and copyright
  • Governance
  • ARTIST ROOMS
  • Tate Kids

Support

  • 黑料社
  • Patrons
  • Donate
  • Corporate
  • Press
  • Jobs
  • Accessibility
  • Privacy
  • Cookies
  • Contact
© The Board of Trustees of the Tate Gallery, 2025
All rights reserved