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Dr Susanna Avery-Quash discusses the work of Sir Charles Eastlake and his contribution to the Victorian art world

Christiana Payne discusses her research on John Brett, who was well known for his work in the 1850s and his friendship with John Ruskin, however his output post-1860 and especially post-1870 had never been properly evaluated.

Dr. Katie Tyreman Herrington argues that ³§·É²â²Ô²Ô±ð°ù³Ù´Ç²Ô’s paintings provide an understanding of how actively and rigorously women artists contributed to the development of styles and movements of painting in the second half of the nineteenth century.

The art and life of Louise Jopling (1843-1933) is unusually well documented for a 19th century female artist through her private papers, public pronouncements on art matters and through the press. Dr. Patricia de Montfort considers how research on Jopling can help to bring the work of other neglected artists (especially women) to a wider audience.

Simon Toll discusses the life and work of Herbert Draper and his experience researching Drapers personal papers, sketchbooks and figure drawings held by the artist’s family.

Dr. Laura MacCulloch briefly discusses her research as part of an ongoing project to hold an exhibition on Christina Herringham and her work.

Henrietta Ward re-evaluates Frank Cadogan Cowper’s work and discusses the importance of this under researched artist within British art history.

Professor Liz Prettejohn explores the strange critical fortunes of artists whose careers spanned the awkward divide across the year 1900 – too late to be considered typical Victorians, too early to be called modernists.

Alison Smith considers °Õ²¹³Ù±ð’s original role as the custodian of modern British (Victorian) art and the challenges facing curators today in displaying and developing this part of what is now a much broader collection.