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Tate Papers ISSN 1753-9854

Tate Papers no.20 Autumn 2013

This issue examines some under-studied writings by Adrian Stokes and Kenneth Clark, as well as Barbara Hepworth's relationships with her dealers and phenomenological aspects of her post-war sculpture. New light is also shed on a recently restored sixteenth-century portrait.

In this Issue

Kenneth Clark and the Death of Painting

Martin Hammer

Substance and Speech: Adrian Stokes and the Politics of Content and Form

Kirsten Haywood

Building and the Graphic Arts: Adrian Stokes at the ICA

Stephen Kite

‘A Summing Up of All I Have Ever Thought’: Adrian Stokes’s ‘In Short’ (1942) and his Other Writings of the Period

Paul Tucker

Representation and Reputation: Barbara Hepworth’s Relationships with her American and British Dealers

Emma Roberts

Figure and Landscape: Barbara Hepworth’s Phenomenology of Perception

Rachel Smith

�ղ��ٱ�’s Painting of a Man in Tudor Costume: A Sixteenth-Century Portrait or a Nineteenth-Century Pastiche?

Natasha Walker, Karen Hearn and Joyce H. Townsend