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Tate Papers ISSN 1753-9854

Tate Papers no.23 Spring 2015

This issue includes papers on the influence of art and ideas from Asia, and the critical potential of performance art at times of political anxiety. Other topics include the conservation of a vandalised Mark Rothko painting, twentieth-century British art and visual experience, and Jay DeFeo's 'hybrid abstraction'.

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In this Issue

    Conserving Mark Rothko’s Black on Maroon 1958: The Construction of a ‘Representative Sample’ and the Removal of Graffiti Ink

    Bronwyn Ormsby and Rachel Barker

    Why Performance in Authoritarian Korea?

    Joan Kee

    Zen as a Transnational Current in Post-War Art: The Case of Mira Schendel

    Majella Munro

    As Seen: Modern British Painting and Visual Experience

    Louise Hughes and Robert Pepperell

    Coral and Lichen, Brains and Bowels: Jay DeFeo’s Hybrid Abstraction

    Catherine Spencer

    Abject Modernism: The Male Body in the Work of Tatsumi Hijikata, Günter Brus and Rudolf Schwarzkogler

    Lucy Weir

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