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Colour Keys of Nicolas Poussin’s ‘Landscape with Diogenes’ and ‘St John Baptising the People’ (Inscriptions by Turner)
Joseph Mallord William Turner
1802
Detail of Architecture, from Nicolas Poussin’s ‘Eleazer and Rebecca at the Well’, and Colour Key (Inscriptions by Turner)
Joseph Mallord William Turner
1802
Colour Keys for Nicolas Poussin’s ‘Woman Taken in Adultery’, ‘Orpheus and Eurydice’ and ‘Eleazer and Rebecca at the Well’ (Inscriptions by Turner)
Joseph Mallord William Turner
1802
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Joseph Mallord William Turner
1802
The Death of Cato, after Charles Le Brun
Joseph Mallord William Turner
1802
Blank
Joseph Mallord William Turner
1802
The Visitation, after Jan Lievens
Joseph Mallord William Turner
1802
Colour Key (Inscriptions by Turner)
Joseph Mallord William Turner
1802
Colour Key (Inscriptions by Turner)
Joseph Mallord William Turner
1802
Colour Key (Inscriptions by Turner)
Joseph Mallord William Turner
1802
St Jerome, after Correggio, and Colour Trials
Joseph Mallord William Turner
1802
The Adoration of the Infant Jesus, after Lorenzo Lotto
Joseph Mallord William Turner
1802
Blank
Joseph Mallord William Turner
1802
Susanna Bathing, after a Rembrandt Follower
Joseph Mallord William Turner
1802
Commentary on Rembrandt’s ‘Tobias and the Angel’ and ‘Susanna’ by a Rembrandt Follower (Inscriptions by Turner)
Joseph Mallord William Turner
1802
Commentary on ‘The Good Samaritan’ by a Rembrandt Follower (Inscription by Turner)
Joseph Mallord William Turner
1802
The Good Samaritan, after a Rembrandt Follower
Joseph Mallord William Turner
1802
Blank
Joseph Mallord William Turner
1802
Blank
Joseph Mallord William Turner
1802
Commentary on Giorgione/Titian’s ‘Concert-champêtre’ (Inscription by Turner)
Joseph Mallord William Turner
1802
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