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Untitled

Emily Kam Kngwarray

1990

On display at �� part of Emily Kam Kngwarray

Body Markings (Sorry Cuts)

Emily Kam Kngwarray

1994

On display at �� part of Emily Kam Kngwarray

not titled

Emily Kam Kngwarray

1996

On display at �� part of Emily Kam Kngwarray

Costume design for the ballet ‘Miracle in the Gorbals’

Edward Burra

1944

On display at Tate Britain part of Edward Burra – Ithell Colquhoun

Wild Yam VI

Emily Kam Kngwarray

1996

On display at �� part of Emily Kam Kngwarray

Cloth design for the ballet `Miracle in the Gorbals’

Edward Burra

1944

On display at Tate Britain part of Edward Burra – Ithell Colquhoun

Stage design for the ballet ‘A Day in a Southern Port (Rio Grande)’

Edward Burra

1931

On display at Tate Britain part of Edward Burra – Ithell Colquhoun

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Edward Burra

c.1930

On display at Tate Britain part of Edward Burra – Ithell Colquhoun

The Hand

Edward Burra

1931

On display at Tate Britain part of Edward Burra – Ithell Colquhoun

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Edward Burra

1930

On display at Tate Britain part of Edward Burra – Ithell Colquhoun

Minuit Chanson

Edward Burra

1931

On display at Tate Britain part of Edward Burra – Ithell Colquhoun

Three Sailors at the Bar

Edward Burra

1930

On display at Tate Britain part of Edward Burra – Ithell Colquhoun

Le Bal

Edward Burra

1928

On display at Tate Britain part of Edward Burra – Ithell Colquhoun

The Tea-Shop

Edward Burra

1929

On display at Tate Britain part of Edward Burra – Ithell Colquhoun

Both Low Hanging Fruit and the Scavenged High Rise – Either Way: Suspension. So, Slackening the Hold Here I Ask Through the Poethics Of Suspense, ‘How Can You Rest When Still Strung Up?’

Rhea Dillon

2022

Untitled

Emily Kam Kngwarray

1992

On display at �� part of Emily Kam Kngwarray

The Two Sisters

Edward Burra

1929

On display at Tate Britain part of Edward Burra – Ithell Colquhoun

Mern Ntewerrk (Dry Fruit of Native Currant), previously attributed: Merne Ndorkwa (Wild Plum)

Emily Kam Kngwarray

1991

On display at �� part of Emily Kam Kngwarray

Balcony, Toulon

Edward Burra

1929

On display at Tate Britain part of Edward Burra – Ithell Colquhoun

Blue, Black and White

Sir Terry Frost

1974

On display at Tate St Ives part of Modern Art and St Ives

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Showing 1–20 of 78,796 results

Untitled

Body Markings (Sorry Cuts)

not titled

Costume design for the ballet ‘Miracle in the Gorbals’

Wild Yam VI

Cloth design for the ballet `Miracle in the Gorbals’

Stage design for the ballet ‘A Day in a Southern Port (Rio Grande)’

�䲹��é

The Hand

�䲹��é

Minuit Chanson

Three Sailors at the Bar

Le Bal

The Tea-Shop

Both Low Hanging Fruit and the Scavenged High Rise – Either Way: Suspension. So, Slackening the Hold Here I Ask Through the Poethics Of Suspense, ‘How Can You Rest When Still Strung Up?’

Untitled

The Two Sisters

Mern Ntewerrk (Dry Fruit of Native Currant), previously attributed: Merne Ndorkwa (Wild Plum)

Balcony, Toulon

Blue, Black and White

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Refine your search

Artist

Appointment venue

Room

Subject

Group

Location

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On display at

Type

Showing 1–20 of 78,796 results

Untitled

Body Markings (Sorry Cuts)

not titled

Costume design for the ballet ‘Miracle in the Gorbals’

Wild Yam VI

Cloth design for the ballet `Miracle in the Gorbals’

Stage design for the ballet ‘A Day in a Southern Port (Rio Grande)’

�䲹��é

The Hand

�䲹��é

Minuit Chanson

Three Sailors at the Bar

Le Bal

The Tea-Shop

Both Low Hanging Fruit and the Scavenged High Rise – Either Way: Suspension. So, Slackening the Hold Here I Ask Through the Poethics Of Suspense, ‘How Can You Rest When Still Strung Up?’

Untitled

The Two Sisters

Mern Ntewerrk (Dry Fruit of Native Currant), previously attributed: Merne Ndorkwa (Wild Plum)

Balcony, Toulon

Blue, Black and White

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