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c.1930s

On display at �� part of Nigerian Modernism

Head of a girl

Felix Idubor

c.1930s

On display at �� part of Nigerian Modernism

Bertha Fitzhugh Baker as Saint Settlement, from Four Saints in Three Acts, Lee Miller Studios, Inc., New York City

On display at Tate Britain part of Lee Miller

Thorn Carving

1930s

On display at �� part of Nigerian Modernism

Thorn Carving (Two boys, one walking on his hands supported by the other)

1930s

On display at �� part of Nigerian Modernism

Thorn Carving

1930s

On display at �� part of Nigerian Modernism

Altonell Hines as Commère, from Four Saints in Three Acts, Lee Miller Studios, Inc., New York City

On display at Tate Britain part of Lee Miller

Drawings of uli motifs, with Northcote Thomas’s annotations. Few of Thomas’s fieldnotes survive from his anthropological surveys. There is, however, a collection of these drawings on sheets of notepaper, evidently made by different people during his 1910-

1910–1911

On display at �� part of Nigerian Modernism

Abner Dorsey as Compère, from Four Saints in Three Acts, Lee Miller Studios, Inc., New York City

On display at Tate Britain part of Lee Miller

‘Decorated house’, Amansea, present-day Anambra State, Nigeria. Photographed by Northcote W. Thomas in 1911.

On display at �� part of Nigerian Modernism

W Africa; Nigeria; Anambra State; Awka South; Nibo

On display at �� part of Nigerian Modernism

Edward Matthews as Saint Ignatius, from Four Saints in Three Acts, Lee Miller Studios, Inc., New York City

On display at Tate Britain part of Lee Miller

Decorated house’, Amansea, present-day Anambra State, Nigeria. Photographed by Northcote W. Thomas in 1911.

On display at �� part of Nigerian Modernism

Bruce Howard as Saint Teresa II, from Four Saints in Three Acts, Lee Miller Studios, Inc., New York City

On display at Tate Britain part of Lee Miller

Uli designs on Ngene shrine enclosure wall, Nibo, present-day Anambra State, Nigeria. Photographed by Northcote W. Thomas in 1911. The mound in the foreground to the left of the composite image is described as akwali omumu, also an alusi to whom sacrifice