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Harlem Theatre

Edward Burra

1933

On display at Tate Britain part of Edward Burra – Ithell Colquhoun

Marriage à la Mode

Edward Burra

1928–9

On display at Tate Britain part of Edward Burra – Ithell Colquhoun

Phirozsha Mehta (Phiroz Mehta)

Ithell Colquhoun

1932

On display at Tate Britain part of Edward Burra – Ithell Colquhoun

Savoy Ballroom

Edward Burra

1934–5

On display at Tate Britain part of Edward Burra – Ithell Colquhoun

Information panels

Ed Atkins

2021

On display at Tate Britain part of Ed Atkins

Mausoleum, male genital

Ithell Colquhoun

c.1944

On display at Tate Britain part of Edward Burra – Ithell Colquhoun

Blue, Black and White

Sir Terry Frost

1974

On display at Tate St Ives part of Modern Art and St Ives

up/down, in/out,

Ed Atkins

2017

On display at Tate Britain part of Ed Atkins

Gate to the Cattle Ranch

Bruce Onobrakpeya

1993

Untitled

Ed Atkins

2023

On display at Tate Britain part of Ed Atkins

Information panels

Ed Atkins

2021

On display at Tate Britain part of Ed Atkins

Information panels

Ed Atkins

2021

On display at Tate Britain part of Ed Atkins

Linked Islands II

Ithell Colquhoun

1947

On display at Tate Britain part of Edward Burra – Ithell Colquhoun

Information panels

Ed Atkins

2021

On display at Tate Britain part of Ed Atkins

Untitled

Ed Atkins

2023

On display at Tate Britain part of Ed Atkins

Both Low Hanging Fruit and the Scavenged High Rise – Either Way: Suspension. So, Slackening the Hold Here I Ask Through the Poethics Of Suspense, ‘How Can You Rest When Still Strung Up?’

Rhea Dillon

2022

Information panels

Ed Atkins

2021

On display at Tate Britain part of Ed Atkins

Information panels

Ed Atkins

2021

On display at Tate Britain part of Ed Atkins

View from the Hill Where My Father Used to Chase His Cattle

Thomas Mukarobgwa

1961

Costume design for William Chappell, in the ballet ‘A Day in a Southern Port (Rio Grande)’

Edward Burra

1931

On display at Tate Britain part of Edward Burra – Ithell Colquhoun

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Showing 1–20 of 78,725 results

Harlem Theatre

Marriage à la Mode

Phirozsha Mehta (Phiroz Mehta)

Savoy Ballroom

Information panels

Mausoleum, male genital

Blue, Black and White

up/down, in/out,

Gate to the Cattle Ranch

Untitled

Information panels

Information panels

Linked Islands II

Information panels

Untitled

Both Low Hanging Fruit and the Scavenged High Rise – Either Way: Suspension. So, Slackening the Hold Here I Ask Through the Poethics Of Suspense, ‘How Can You Rest When Still Strung Up?’

Information panels

Information panels

View from the Hill Where My Father Used to Chase His Cattle

Costume design for William Chappell, in the ballet ‘A Day in a Southern Port (Rio Grande)’

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Refine your search

Artist

Appointment venue

Room

Subject

Group

Location

Key attributes

On display at

Type

Showing 1–20 of 78,725 results

Harlem Theatre

Marriage à la Mode

Phirozsha Mehta (Phiroz Mehta)

Savoy Ballroom

Information panels

Mausoleum, male genital

Blue, Black and White

up/down, in/out,

Gate to the Cattle Ranch

Untitled

Information panels

Information panels

Linked Islands II

Information panels

Untitled

Both Low Hanging Fruit and the Scavenged High Rise – Either Way: Suspension. So, Slackening the Hold Here I Ask Through the Poethics Of Suspense, ‘How Can You Rest When Still Strung Up?’

Information panels

Information panels

View from the Hill Where My Father Used to Chase His Cattle

Costume design for William Chappell, in the ballet ‘A Day in a Southern Port (Rio Grande)’

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