Showing 2,021–2,040 of 3,388 results
Otto Dix and Paul Nash: Views from the First World War
Otto Dix and Paul Nash: Views from the First World War
Wifredo Lam: the Albissola years
The Cuban-born artist Wifredo Lam (1902–1982), whose retrospective at ºÚÁÏÉç opens in September, spent the last decades of his …
Hockney's World of Pictures
Martin Gayford recounts how, for more than 60 years, Hockney has been breaking boundaries
Private View: Sam Riviere on Eduardo Paolozzi
Sam Riviere remembers Eduardo Paolozzi’s mosaics at Tottenham Court Road station, a gateway to both the city and the ‘chaotic …
Q&A with Cosey Fanni Tutti: Cosey Fanni Tutti talks frankly to Tate Etc. about art, sex and music
From her beginnings as an artist living in Hull in the late 1960s, Cosey Fanni Tutti has challenged the boundaries …
Who's That Girl?
Sirkka-Liisa Konttinen is finally reunited with the girl who appears in her captivating photograph Girl on a Spacehopper (Byker) taken …
Bound to fail: Open Systems I
The late 1960s saw a radical rethinking of the art object, with the emphasis shifting away from the static artwork …
A fearless embrace of our common existential situation as frail, short-sighted creatures lost in space in a temporarily lucky planet: Robert Smithson's Spiral Jetty
Robert Smithson’s vast earthwork Spiral Jetty 1970 became an instant icon of land art, partly thanks to iconic photography by …
In the flesh: Francis Bacon
Artist and filmmaker Mike Figgis finds that a visit to Tate Britain is ‘like walking through a collective unconscious that …
Frida on my mind
Frida Kahlo: feature article by Tracey Emin in Tate Etc. magazine, issue 4
The material world: Richard Deacon
Sculpture was historically the domain of the artist-worker, armed with hammer and chisel. Now the artist may use any material …
MicroTate 4
Richard Holloway, Edward Allington, David Austen and Ben Faccini reflect on a work in the Tate collection
Mind fields: The changing landscape of Britain
Tate Etc. introduces eleven personal responses to artworks that reflect the changing face of a nation.
Tune in, turn on, light up: The summer of love
During the 1960s, the light show became an important part of both the club and rock concert experience – no …
Use your illusions: The Summer of Love II
Summer of Love: Art of the Psychedelic Era at Tate Liverpool explores the psychedelic in the 1960s. Neil Mullholland explores …
A celestial journey: Clouds
Richard Hamblyn looks at the use of sky to load meaning in painting since the Renaissance, including the work of …
A drink among friends: Degas, Sickert and Toulouse-Lautrec II
The British-born fin-de-siècle bohemian Charles Conder arrived in Paris in 1890, where he soon discovered a fondness for Absinthe. The …
The nude stripped bare: The history of the body
‘To be naked is to be deprived of our clothes, and the word implies some of the embarrassment most of …
One step beyond: Hyperrealism
What is hyperrealism? Work which feels more real than reality? Or a way of ‘mastering God’s creations’ ? Horst Bredekamp …
A stubborn cornerstone at the onset of modernism: Henri Rousseau
Dexter Dalwood and Nancy Ireson explore the enduring influence and legacy of the self-taught French artist ±á±ð²Ô°ù¾±Ìý¸é´Ç³Ü²õ²õ±ð²¹³Ü