Showing 201–220 of 3,386 results
Edward Ruscha 'Twentysix Gasoline Stations' 1963
'Twentysix Gasoline Stations' is an artist book by Edward Ruscha
Stuart Mugridge 'from Sowtontown' 1999
'from Sowtontown' is an artist book by Stuart Mugridge
Hilary Judd 'Shoe Box' 2006
'Shoe Box' is an artist book by Hilary Judd
Simon Cutts 'Poinsettia' 1975
'Poinsettia' is an artist book by Simon Cutts
Postscript: ‘The Pond at Deuchar’ E-scroll
Clive Phillpot writes about the genesis and significance of Helen Douglas's 'The Pond at Deuchar' E-scroll
Substance and Speech: Adrian Stokes and the Politics of Content and Form
This paper considers the figurative role of surfaces and their contents in the first chapter, ‘Jesi’, of Adrian Stokes’s The …
Kenneth Clark and the Death of Painting
Martin Hammer reviews Kenneth Clark’s public spat with Herbert Read about modern art, which erupted in successive issues of the …
Building and the Graphic Arts: Adrian Stokes at the ICA
Stephen Kite explores the relationship between architecture and the graphic arts in the milieus of the Institute of Contemporary Arts …
°Õ²¹³Ù±ð’s Painting of a Man in Tudor Costume: A Sixteenth-Century Portrait or a Nineteenth-Century Pastiche?
Comprising technical and art historical analyses, this paper investigates the subject, date and status of a three-quarter-length portrait on a …
‘A Summing Up of All I Have Ever Thought’: Adrian Stokes’s ‘In Short’ (1942) and his Other Writings of the Period
The intertextual links between Stokes’s unpublished essay ‘In Short’ (1942) and his other writings of the period justify his own …
‘A Summing Up of All I Have Ever Thought’: Adrian Stokes’s ‘In Short’ (1942) and his Other Writings of the Period: Appendices
Appendices to Tate Papers issue 20; Paul Tucker's ‘A Summing Up of All I Have Ever Thought’: Adrian Stokes’s ‘In …
Figure and Landscape: Barbara Hepworth’s Phenomenology of Perception
Barbara Hepworth’s development of the figure in landscape theme to which she turned increasingly after moving to St Ives in …
Representation and Reputation: Barbara Hepworth’s Relationships with her American and British Dealers
After the Second World War Barbara Hepworth sought to raise her profile in America, but her attempts to do so …
Testing Times: Patiently Waiting for the Unforeseen
This presentation, originally delivered at Tate in 2012, explores the role and contribution the world’s major arts and cultural institutions …
Realising the Potential of Artist-Child Learning Encounters at ArtPlay
The City of Melbourne’s ArtPlay is open to children aged three to thirteen years and provides a wide range of …
Object Dialogue Boxes
This paper will present an emerging artistic practice that employs the unexpected and unfamiliar as minor provocations to stimulate enquiry-based …
The Promises of Learning on Our Own Time (and In Our Own Way)
The conference in which this paper was delivered took place in London just as the 2012 Olympics and Paralympics ended. …
Art Practice, Learning and Love: Collaboration in Challenging Times
From July to October 2012, the newly opened Tanks at ºÚÁÏÉç hosted a season of cross-disciplinary and live interventions. …
Forgotten Faces
Forgotten Faces comprises seventeen portraits or figure paintings and three sculptures ranging between 1896 – a year before the foundation …
The Craze for Pastel: Essay
Ruth Kenny's essay on The Craze for Pastel in conjunction with a 2014 BP Spotlight display at Tate Britain on …