Showing 2,201–2,220 of 3,388 results
When I use a word... it means just what I choose it to mean: Alice in Wonderland II
Lewis Carroll demonstrated how inventive one could be with words and their meanings. Since the 1960s artists such as Mel …
'That's my dad': Barry Flanagan II
The daughter and assistant of the artist (from 1987 to 1998) remembers working with her father
'A spit in the eye...': Behind the curtain
On his first visit to the Tate archive, Austin Collings unearths a newspaper cutting on Ian Breakwell’s evocative photographic diary …
The poet of life and sculpture: Barry Flanagan I
He may be best known for his bronze hare sculptures, but Flanagan’s early work using a variety of media such …
Meetings of minds: Barry Flanagan III
Appreications from friends, fellow artists and a former pupil
Kings of the vast: John Martin II
In the early nineteenth century a fashion for enormous paintings flourished, and artists including Martin, Benjamin Haydon and Francis Danby …
Inescapable truths: Gerhard Richter I
ºÚÁÏÉç’s exhibition explores the work produced over almost five decades by one of today’s most highly regarded artists. Richter …
In the heat of the moment: Private View
‘I cannot work it out. I cannot resolve it. It is always different.’ An abstract sculpture of interlocking forged iron …
A graphic wake-up call: Etc. Essay: Inspired by Ernst
In 1933 the pioneering Surrealist Max Ernst created an extraordinary publication called Une semaine de bonté. Arguably the first …
Curiouser and curiouser: Alice in Wonderland I
When Charles Dodgson – more widely known as Lewis Carroll – made drawings in the early 1960s for his book …
Conversations with paintings: The Indiscipline of Painting
This autumn Tate St Ives stages a wide-ranging exhibition focusing on post-war abstract painting by artists from across the world. …
The city of dreams...and shoes: Etc. Essay: Chicano art
This autumn more than 60 cultural institutions throughout southern California will come together to tell the story of the Los …
Away with the fairies: Richard Dadd
The Victorian artist is best known for two things: murdering his father, and painting The Fairy Feller’s Master-Stroke while incarcerated …
Steven Shearer Q&A: Venice Biennale
Steven Shearer’s work draws on various styles of figurative painting throughout history, song lyrics and archived images. He collects images …
Something borrowed, something new: René Magritte I
Magritte’s particular style of Surrealism, to be explored in a new show at Tate Liverpool, has become a favourite, with …
The scene is set: Tate Britain New Displays I
Several displays this summer explore ways in which ideas surrounding performance have come to occupy a defining place in art …
Say hello to my python: Joan Miró III
The celebrated zoologist and Surrealist painter shared his first London exhibition with Miró – and introduced him to a snake …
On the roll of a dice: Joan Miró II
When Miró was a penniless painter in Paris in the 1920s, he became friends with the writer Ernest Hemingway, who …
Miró in London: Joan Miró IV
Iria Candela on Miró in London Tate Etc issue 22
Mike Nelson in conversation
To coincide with Mike Nelson representing Britain at the 54th Venice Biennale of Art, Tate curator Clarrie Wallis talks to …