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  • All(177,731)
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Showing 2,241–2,260 of 3,388 results

Tate Etc

The genius of colour: Josef Albers

Victor Moscoso, Gabriel Orozco and Robert Mangold

Joseph Albers was one of the finest art teachers of the twentieth century. Victor Moscoso remembers him both as a …

Tate Etc

The devil in the studio

Lynda Nead

Lynda Nead looks at a number of pioneering short films at the turn of the twentieth century that took the …

No image for copyright reasons

Tate Etc

A cacophony for a formidable iconoclast: Martin Kippenberger

Alison M. Gingeras, Gisela Capitain, Roberto Ohrt, John Baldessari, Jutta Koether, Urs Fischer and Piotr Uklanski

Alison Gingeras, John Baldessari, Gisela Capitain, and others on Martin Kippenberger, Tate Etc. issue 06
Tate Etc

Body of evidence: Behind the curtain

Lawrence Norfolk

In his second visit to the Tate archive Lawrence Norfolk looks for clues about W S Sickert among his donated …

Tate Etc

The aesthetics of documentary

Mark Cousins

‘Documentary is intrinsically aesthetic,’ argues Mark Cousins, ‘it is as much about shots and cuts, structure and rhythm as …

Tate Etc

Why are we waiting?: Roman Ondak

Max Andrews

Last year Tate bought Roman Ondak’s Good Feelings in Good Times, which consists of a queue that can be …

Tate Etc

When art meets architecture: Anthony Caro retrospective

Richard MacCormac

Richard MacCormac reflects on the relationship between sculpture and architecture in the light of a visit to Anthony Caro's retrospective …

Tate Etc

An uncooked perspective on the nature of sex: Sarah Lucas

A.C. Grayling

Since her ironic Two Fried Eggs and a Kebab (1992), which delighted and enraged gallery goers in equal measure, Sarah …

Tate Etc

A terrible beauty: Roger Fenton

Simon Grant1

In 1855 Roger Fenton took a photograph that became an iconic image of the Crimean War. The story of its …

Tate Etc

A stubborn cornerstone at the onset of modernism: Henri Rousseau

Nancy Ireson and Dexter Dalwood

Dexter Dalwood and Nancy Ireson explore the enduring influence and legacy of the self-taught French artist ±á±ð²Ô°ù¾±Ìý¸é´Ç³Ü²õ²õ±ð²¹³Ü

Tate Etc

The museum of tomorrow

Hans Ulrich Obrist

Cedric Price said in 2003, ‘A twenty-first century museum will utilise calculated uncertainty and conscious incompleteness to produce a catalyst …

Tate Etc

The history of future technology: Tacita Dean

Brian Dillon

Tacita Dean explores the elastic nature of time and space, and is intrigued by futuristic-looking abandoned buildings that have been …

Tate Etc

Escape from the filmic Bermuda Triangle: Morgan Fisher

Mark Webber

Morgan Fisher mixes cinematic history, autobiography and art historical references in his exploration of filmmaking. Mark Webber investigates how the …

Tate Etc

The drink that fuelled a nation's art: Degas, Sickert and Toulouse-Lautrec

Jad Adams

The Green Goddess haunted a nation and fuelled its art, including that of Degas, Sickert and Toulouse-Lautrec.

Tate Etc

The death of the body

Nicholas Blincoe

The body matters, more than at any other time in history. As Abi Titmuss appears in a Sapphic embrace on …

Tate Etc

A celestial journey: Clouds

Richard Hamblyn

Richard Hamblyn looks at the use of sky to load meaning in painting since the Renaissance, including the work of …

Tate Etc

And the word was made art: John Latham

Paul Moorhouse

At an 80th birthday celebration of the work of British artist John Latham, Paul Moorhouse looks into his central books …

Tate Etc

It's all true: The World as a Stage II

Catherine Wood and Jessica Morgan

Co-curators of the ºÚÁÏÉç exhibition, ask some of the participating artists about its themes

Tate Etc

Use your illusions: The Summer of Love II

Neil Mulholland

Summer of Love: Art of the Psychedelic Era at Tate Liverpool explores the psychedelic in the 1960s. Neil Mullholland explores …

Tate Etc

Lumps, bumps, bulbs, bubbles, bulges, slits, turds, coils, craters, wrinkles and holes

Elaine Showalter

Literary critic and feminist, Elaine Showalter explores the life and work of artist Louise Bourgeois.

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