Showing 2,381–2,400 of 3,388 results
Something fishy on the quay?: Behind the curtain
The author finds an intriguing nineteenth-century photograph in the Tate Archive
Something supernatural, this way comes: Magic and Modernity in British Art
Folklore, mythology, mysticism and the occult pervade the development of modernism and Surrealism in Britain, especially in relation to the …
Stories of a continuous past: Miroslaw Balka
As the Polish artist undertakes the tenth Unilever Series commission in ºÚÁÏÉç’s Turbine Hall this autumn, he reveals how …
A sublime roller coaster ride through art history
Discover how J.M. Turner was inspired by his artist heroes
Echo chambers on paper: Private view: Henri Michaux
Paul Chan on Henri Michaux; Tate Etc. issue 18 Spring 2010
The Exquisite Corpse is alive and well: Collaboration
The exquisite corpse is alive and well; Anne Ellegood on Collaboration, Tate Etc. issue 18 Spring 2010
His darkened imagination: Henry Moore
His darkened imagination: Andrew Causey on Henry Moore, Tate Etc. issue 18 Spring 2010
If at first you don't succeed, celebrate: Failure
Lisa Le Feuvre on Failure, Tate Etc issue 19, Spring 2010
Journeys into the past: Behind the curtain
Tate Archive 40th Anniversary Special: highlights from artists’ archives acquired in recent years are selected by family, friends and admirers
Microtate 18
Contemporary artists on a work in the Tate collection
Poem of the month: The Cholmondeley Ladies
This February Jean Spackland presents her poem The Cholmondeley Ladies based on the painting of the same name attributed to …
Pretentious? Moi?: Document: Georges Mathieu
Bernard Marcadé on Georges Mathieu
In search of the real me: Chris Ofili
Christy Lange talks to Chris Ofili ahead of his exhibition at Tate Britain
When history collapses Into the present: Dexter Dalwood
When history collapses Into the present; David Anfam on Dexter Dalwood, Tate Etc. issue 18 Spring 2010
The cruel snare of memory: Studio visit
Carol Rama, the Italian self-taught artist born in 1918, has only recently gained international recognition for her highly erotic, visceral …
Family pleasures: Behind the curtain
Henrietta Garnett, a regular visitor to the Tate archive, recognises two painted calendars done by her grandmother Vanessa Bell.
Interview: Gerard Byrne
To coincide with the exhibition of Gerard Byrne’s new film work A Thing Is A Hole In A Thing …
MicroTate 19
Individual reflections on a work in the Tate collection
George Stubb's Reapers and Haymakers (both 1785): Tate Etc. at Tate Britain / Artists' Perspectives
In celebration of the reopening of Tate Britain, Tate Etc. invited a selection of artists from around the world to …
The multiplication of being, or a reflective abyss?: Mirrors
Lyle Rexer on Mirrors on contemporary and modern art, Tate Etc issue 19, summer 2010