Showing 2,701–2,720 of 3,511 results
Messages from the other world: Behind the curtain
In 1934 the sculptor John Skeaping told the Daily Mail: ‘Perhaps I ought to tell you that I have …
MicroTate 3
Elisabeth Bronfen, Lucinda Hawksley, John Paul Lynch and Callum Innes reflect on a work in the Tate collection
Model behaviour: Thomas Demand
Matt Watkins talks to the German artist Thomas Demand about how he makes his photographs
The poetics of space
Sculptors and architects both work with form in space, albeit on different scales and using varying methods. Anthony Caro, known …
River of dreams: Turner Whistler Monet
When the seventeenth-century diarist John Evelyn described London as a ‘Hellish and dismall Cloud of SEA-COALE’, he was one among …
Say butterfly!: Salvador Dalà II
When Diedrich Diederichsen went to Cadaquès in the late 1970s he wasn’t expecting to stumble into the surreal world of …
Who paints bread better than Dal�: Salvador Dalà III
‘God save the King!’ was one of DalÃ's last, typically provocative, public pronouncements. Jeff Koons explains how meeting Dalà when …
You can hear the welding. And you can hear the blows of the hammer: David Smith
Richard Wentworth saw David Smith’s Wagon II in Smith’s outdoor studio in New York in the 1970s. Here he takes …
The detritus of the future and pleasure of the past: Ruin Lust at Tate Britain
The exhibition Ruin Lust at Tate Britain explores artists’ and subsequently photographers’ fascination with the ruin, via works from JMW …
The fascinating absurdity of sculpture: In the studio: Phyllida Barlow
On the eve of her forthcoming Tate Britain Commission to create a new work in response to the Tate collection, …
Before the flood, or after the war?: Winifred Knights at Tate Britain
For his recent verse drama Pink Mist, Owen Sheers interviewed dozens of wounded soldiers who had returned from conflict, …
Giorgio Griffa's Segni orizzontali, 1975: Recent aquisitions
Tate Etc. looks at a recent acquisition, currently on view at Tate Modern
Hellfire, damnation... and pudding: John Martin
The celebrated New Zealand chef Peter Gordon creates a novel recipe inspired – unexpectedly – by John Martin's apocalyptic painting …
'Here, I knew I was being watched': BMW Tate Live: Performance Room
BMW Tate Live: Performance Room is a series of performances commissioned and conceived exclusively to be viewed online, and the …
His brilliant final chapter: Henri Matisse: The Cut-Outs
The forthcoming exhibition of Henri Matisse’s ground-breaking paper cut-outs, made between 1943 and 1954, is the most comprehensive to date. …
How I learned to see: Richard Deacon at Tate Britain
The leading British sculptor Richard Deacon (born 1949), who first gained international prominence in the early 1980s, is the subject …
The imperfectionist: Urs Fischer and his public clay projects
A Swiss-style chalet made from bread; an excavated gallery floor; life-like wax figures that double as candles… Urs Fischer’s irreverent …
The luminous view: Recent Artists's Film and Video in Britain 2008-13
Tate Britain is staging an ambitious survey of artists' film and video which reflects the extraordinary blossoming and diversity of …
Not Just a Stroll in the Garden: Patrick Heron
An appreciation of the little-known ‘supreme gifts’ of the painter Patrick Heron by his younger brother
Seung-Taek Lee's Godret Stone, 1958: Recent aquisitions
Tate Etc. looks at a recent acquisition, currently on view at Tate Modern