Search results

High Wycombe from the Marlow Road

Joseph Mallord William Turner

c.1802

View by appointment

In the Campagna, Rome, Looking towards the Sabine Mountains

Francis Towne

c.1786

View by appointment

Two Heads of Men, One a Caricature

Thomas Worlidge

date not known

View by appointment

Old Kiln, Hewetts Brickyard, Leamington

James Duffield Harding

date not known

View by appointment

Narcissus

Óscar Muñoz

1999

affirm/deny

Rita Donagh

1972

Insertions into Ideological Circuits 2: Banknote Project

Cildo Meireles

1970

Oneness of Concrete

Jiro Takamatsu

1971

Northern Nigerian Landscape

Uzo Egonu

1964

Untitled (Cravings White)

Lee Bul

1988, reconstructed 2011

Humanist Space From Museum of Contemporary African Art

Meschac Gaba

1997–2002

End of the Line 2

Penny Slinger

1977

On display at Tate Britain part of Modern and Contemporary British Art

Perspective

Penny Slinger

1970–7

On display at Tate Britain part of Modern and Contemporary British Art

I cut my skin to liberate the splinter: Please remember on my behalf

Kemang Wa Lehulere

2017

Stage II

Dóra Maurer

2016

We Leave the Scum with No Place to Hide

Michael Landy CBE RA

1996

Ever Young Studio Jamestown, Accra

James Barnor

1953

View by appointment

Visible World

Peter Fischli, David Weiss

1986–2000

Big Landscape

Dieter Roth

1969

On display at Tate St Ives part of Modern Art and St Ives

Art Term

Ink

Ink is an ancient writing and drawing medium in liquid or paste form, traditionally black or brown in colour – …

��

Showing 2,841–2,860 of 7,736 results for spring

High Wycombe from the Marlow Road

In the Campagna, Rome, Looking towards the Sabine Mountains

Two Heads of Men, One a Caricature

Old Kiln, Hewetts Brickyard, Leamington

Narcissus

affirm/deny

Insertions into Ideological Circuits 2: Banknote Project

Oneness of Concrete

Northern Nigerian Landscape

Untitled (Cravings White)

Humanist Space From Museum of Contemporary African Art

End of the Line 2

Perspective

I cut my skin to liberate the splinter: Please remember on my behalf

Stage II

We Leave the Scum with No Place to Hide

Ever Young Studio Jamestown, Accra

Visible World

Big Landscape

Ink

Join in

������

Showing 2,841–2,860 of 7,736 results for spring

High Wycombe from the Marlow Road

In the Campagna, Rome, Looking towards the Sabine Mountains

Two Heads of Men, One a Caricature

Old Kiln, Hewetts Brickyard, Leamington

Narcissus

affirm/deny

Insertions into Ideological Circuits 2: Banknote Project

Oneness of Concrete

Northern Nigerian Landscape

Untitled (Cravings White)

Humanist Space From Museum of Contemporary African Art

End of the Line 2

Perspective

I cut my skin to liberate the splinter: Please remember on my behalf

Stage II

We Leave the Scum with No Place to Hide

Ever Young Studio Jamestown, Accra

Visible World

Big Landscape

Ink

Sign up to emails

��