Showing 281–300 of 312 results for Barbara Ker-Seymer" theatre
Diffractive Analysis: Embodied Encounters in Contemporary Artistic Video Practice
This paper details how diffractive analysis, a practice-based research methodology combining methods from art practice, art history and cultural studies, …
The Simon Sainsbury Bequest
7 Jul 2008
Press release announcing that The Simon Sainsbury Bequest to the nation goes on public display for the first time. Tate …
Hyundai Commission:: Cecilia Vicuña: Brain Forest Quipu
Delve deeper into the 2022 Turbine Hall commission
AAAARGH!: John Martin I
John Martin is best known for his dramatic scenes of apocalyptic destruction and biblical catastrophe. During his life his work …
The Geometry of Syntactics, Semantics and Pragmatics: Anthony Hill’s Concrete Paintings
Between 1952 and 1956, the British artist Anthony Hill made a small number of abstract, concrete paintings before turning away …
Modigliani’s Painted Nudes: A Technical Study
This article is part of an ongoing research project into Modigliani’s nude portraits that began on the occasion of a …
Ideas in Transmission: LeWitt’s Wall Drawings and the Question of Medium
This article considers Sol LeWitt’s wall drawings as artworks poised on the cusp of the ‘post-medium condition’ of installation art. …
Whatever Happened to the Frontier? Performing Provincialism in Post-War Los Angeles
During the 1950s and 1960s, critics writing about art on America’s West Coast often treated it as provincial. At the …
Richard Bell’s Embassy: Reshaping the Contemporary Art Museum
This article explores how some of the key discourses of the contemporary art museum may be apprehended and reframed from …
Turn left for the revolution: Art Turning Left at Tate Liverpool
When Jacques-Louis David allowed his famous painting The Death of Marat 1793–4 to be used in support of the Republican …
Light and Dark Coursework Guide
Look at artworks made from light and shadow to the symbolic use of light and dark to make powerful statements
‘Everything Was Getting Smashed’: Three Case Studies of Play and Participation, 1965–71
In this essay Hilary Floe considers instances of chaotic ‘over-participation’ in three art exhibitions that took place between 1965 and …
One-Shot Painting
'One-shot Painting' by Alex Taylor, part of a Tate Research In Focus project on Kenneth Noland's Gift 1961–2
Cinematic Drawing in a Digital Age
Developed in relation to works by Tacita Dean and William Kentridge, this article explores the way in which the arrival …
Registration and Collection Management
This is one of four reports produced by researchers in the project Reshaping the Collectible: When Artworks Live in the …
Psychosis and the Sublime in American Art: Rothko and Smithson: The Sublime Object
This paper addresses the work of Mark Rothko (1903–1970) and Robert Smithson (1938–1973), and, referring to the philosopher Kant and …
California in Catastrophe
Tate Research In Focus project on Evidence 1977 by Larry Sultan and Mike Mandel
Guttuso, Guernica, Gramsci: Art, History and the Symbolic Strategy of the Italian Communist Party
The Italian Communist artist Renato Guttuso found in Picasso’s 1937 painting Guernica a language with which to confront the violence …