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Showing 301–312 of 312 results for Barbara Ker-Seymer" theatre

Tate Papers

‘A Wistful Dream of Far-Off Californian Glamour’: David Sylvester and the British View of American Art

James Finch

David Sylvester’s criticism from the 1950s and 1960s combined enthusiasm for the vitality of new American art with ambivalence about …

Tate Papers

The Framing of John °ä´Ç²Ô²õ³Ù²¹²ú±ô±ð’s Salisbury Cathedral from the Meadows

Adrian Moore

This paper examines the re-framing of John °ä´Ç²Ô²õ³Ù²¹²ú±ô±ð’s Salisbury Cathedral from the Meadows, first exhibited at the Royal Academy …

Tate Papers

Curving Round: David Sylvester and the ‘Rediscovery’ of David Bomberg

Lee Hallman

Lee Hallman considers how David Sylvester’s role in the rehabilitation of David Bomberg’s reputation in the 1950s and 1960s illuminates …

In Focus

Adam and Newman’s Beginnings

Michael Leja

In Focus project on Adam (1951, 1952) by Barnett Newman, authored by Michael Schreyach with contributions by Michael Leja and …

Workshops and conferences

Read information about the workshops hosted by the Refiguring American Art project and abstracts from the major international conference held …

Exhibition Guide

Exhibition Guide: Shape of Light

Find out more about our exhibition at ºÚÁÏÉç

Tate Etc

A sublime roller coaster ride through art history

James Hall

Discover how J.M. Turner was inspired by his artist heroes

In Focus

Hatchings: Technique as Motif

Seth McCormick

Tate Research In Focus project on Dancers on a Plane 1980–1 by Jasper Johns
Tate Papers

Pop Art and the Socialist ‘Thing’: Dušan Otašević in the 1960s

Branislav Dimitrijević

The early work of Dušan Otašević constitutes a rare example of the influence of Anglo-American pop on an eastern European …

Tate Papers

Waste to Monument: John Latham’s Niddrie Woman: Art & Environment

Craig Richardson

John Latham’s Artist Placement Group residency at the Scottish Office’s Development Agency in 1975–6 led to a series of proposals …

Tate Papers

‘No Mercenary Views’? °ä´Ç²Ô²õ³Ù²¹²ú±ô±ð’s English Landscape

Felicity Myrone

°ä´Ç²Ô²õ³Ù²¹²ú±ô±ð’s English Landscape 1830–2, a set of twenty-two mezzotints by David Lucas after paintings by the artist, has generally been …

In Focus

Surface and Style: Family Jules and 1970s Aesthetics

Anna Arabindan-Kesson

Tate Research In Focus study on Family Jules: NNN (No Naked Niggahs) 1974 by Barkley L. Hendricks
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