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  • All(3,677)
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Showing 3,441–3,460 of 3,677 results for winter

Tate Etc

Out of the blue: Joy Division's 'Unknown Pleasures'

Jon Wozencroft

‘I first set my eyes on it one Saturday morning in Rough Trade in late June 1979. The record had …

Tate Etc

Nine to five: John Baldessari

Christopher Miles

The American artist John Baldessari has influenced several generations of younger artists, and has, since the 1960s, consistently renegotiated his …

Tate Etc

A sublime roller coaster ride through art history

James Hall

Discover how J.M. Turner was inspired by his artist heroes

Tate Etc

Actions speak louder: The programme in the Tate Tanks

Sally O'Reilly

The Underground chambers of the old power station at Bankside, where oil once lurked with electric potential, will soon open …

Tate Etc

Patron saint of lipstick and lavender feminism: by Germaine Greer

Exploring the 'lifelong performance' and legacy of artist Frida Kahlo

Tate Etc

Biology and the Bauhaus: László Moholy-Nagy

Discover how art and science collided in the avant-garde community of London's Hampstead

Read

Strategy for the Documentation and Conservation of Performance

Louise Lawson, Acatia Finbow, Duncan Harvey, Hélia Marçal, Ana Ribeiro and Lia Kramer

The project team reports on the development of the strategy, including a glossary of terms that frames °Õ²¹³Ù±ð’s conservation practice …

Tate Papers

Stubbs, Walpole and Burke: Convulsive Imitation and ‘Truth Extorted’: The Sublime Object

Aris Sarafianos

This essay examines the relationship between George Stubbs’s Lion and Horse series of paintings and the redefinition of the sublime …

Look Closer

Jeff Koons: Banality, Decadence and Easyfun

From advertising and commerce to social-mobility and youth culture, explore some of the themes behind Jeff Koons’s art

Émigré to Editor: Edith Hoffmann and the Burlington Magazine 1938–1951

Lucy Watling

The Vienna-born art historian Edith Hoffmann (born 1907) was the first woman editor of the Burlington Magazine. This paper …

In Focus

The Painting

Amy Concannon

Tate Research In Focus project on John Constable's Salisbury Cathedral from the Meadows 1831
In Focus

Monumentality: The Statue of Liberty as Subject

Rachel Wells

Tate Research In Focus project on Static 2009 by Steve McQueen
Tate Papers

Somewhere (and Nowhere) between Modernity and Tradition: Towards a Critique of International and Indigenous Perspectives on the Significance of Contemporary Chinese Art

Paul Gladston

Reviewing international and indigenous perspectives on the significance of contemporary Chinese art, Paul Gladston argues for the necessity of new …

The Lives of Digital Things: A Community of Practice Dialogue

This report was compiled from four virtual conversations, the primary aim of which was to explore the different ways in …
Tate Papers

From Ephemeral Experiences to Lasting Legacies: Discourses on Experimental Art in the Philippines during the 1960s and 1970s

Eva Bentcheva

This paper shows how the Philippine visual art scene of the 1960s and 1970s offered particularly fertile ground for early …

Tate Papers

Elasticity of Exhibition: Landmark Exhibitions Issue

Guy Brett

This paper looks at a number of exhibitions planned and installed by artists from the late 1950s until the present. …

In Focus

The Sculpture

Alex J. Taylor

Tate Papers

Lawrence Alloway’s Spatial Utopia: Contemporary Photography as ‘Horizontal Description’

Shelley Rice

The mobility of art was a concept central to British critic Lawrence Alloway’s understanding of the role of visual imagery …

Tate Papers

August Sander’s Der Bauer and the Pervasiveness of the Peasant Tradition

Christian Weikop

Examining August Sander’s Der Bauer group of photographs in relation to the historical representation of peasants in German art, Christian …

Tate Papers

Uncovering Professionalism in the Art Museum: An Exploration of Key Characteristics of the Working Lives of Education Curators at ºÚÁÏÉç

Helen Charman

This paper attempts to articulate the distinctive qualities of the work of education curators at ºÚÁÏÉç in relation to …

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