Showing 3,581¨C3,600 of 3,677 results for winter
Naked human artists: Gilbert & George
Gilbert & George have made some iconic images of themselves, and of an alternative English sensibility. Wolf Jahn interviews them.
The Printed Collage
The Printed Collage, part of an In Focus research project on String Composition 128 1964 by Sue Fuller, authored by ¡
Rights of passage: Migration
Mark Godfrey, TJ Demos, Eyal Weizman and Ayesha Hameed on Migration, Tate Etc issue 19 Summer 2010
Damien Hirst at ºÚÁÏÉç: The artist in conversation
Since he was a young teenager, Damien Hirst has enjoyed visiting Tate. From his early fascination with William Blake to ¡
¡®Suffer a Sea-Change¡¯: Turner, Painting, Drowning
This paper reflects upon the implications of J.M.W. Turner¡¯s close and varied attention to the depiction of sea-water. In particular, ¡
The Military-Pastoral Complex: Contemporary Representations of Militarism in the Landscape: Art & Environment
Examining works of contemporary art that have engaged with militarised landscapes, Matthew Flintham reflects on the ruination of outmoded military ¡
Lines of Sight: Alfred Watkins, Photography and Topography in Early Twentieth-Century Britain
Alfred Watkins (1855¨C1935) originated the idea of ley-lines and surveyed alignments which articulated the prehistoric landscape of Britain, in his ¡
Sir Edward Manton's Glebe: Completing the Provenance of Constable's Glebe Farm Sketch c.1830
When John Constable¡¯s sketch of The Glebe Farm was formally presented to Tate Britain in 2006, after the death of ¡
Aliza Nisenbaum
Read more about the Tate Liverpool exhibition and the artist's sitters
To the Ends of the Earth: Art and Environment: Art & Environment
Introducing the group of articles devoted to the theme of ¡®Art & Environment¡¯ in?Tate Papers?no.17,?this essay reflects ¡
Milton, Lucy Hutchinson, and the Lucretian Sublime: The Sublime Object
³¢³Ü³¦°ù±ð³Ù¾±³Ü²õ¡¯²õ De rerum natura is a neglected source for the emergence of the theory and practice of the sublime in ¡
Hu Xiaoyuan ºúÏþæÂ
Hu Xiaoyuan (born 1977) employs a variety of media within her works, including video, performance and installations. She uses mixed ¡
Finding Salt Flat
John Blakinger on the site and location of Salt Flat 1968 by Dennis Oppenheim | part of a Tate In ¡
°Õ²¹³Ù±ð¡¯²õ Painting of a Man in Tudor Costume: A Sixteenth-Century Portrait or a Nineteenth-Century Pastiche?
Comprising technical and art historical analyses, this paper investigates the subject, date and status of a three-quarter-length portrait on a ¡
The Art of Protest
How do art and protest meet? We explore acts of defiance with artists, poets and activists
Panel Discussion: Holding Collections: Archiving as Dreamkeeping
The panelists discuss what it means to be responsible for the preservation and accessibility of collections.
Adam and Newman¡¯s Beginnings
In Focus project on Adam (1951, 1952) by Barnett Newman, authored by Michael Schreyach with contributions by Michael Leja and ¡
Exposing Creation: Portraits of Newman and His Paintings
In Focus project on Adam (1951, 1952) by Barnett Newman, authored by Michael Schreyach with contributions by Michael Leja and ¡
Performing the Self in Family Jules
Tate Research In Focus study on Family Jules: NNN (No Naked Niggahs) 1974 by Barkley L. Hendricks