Showing 3,621–3,640 of 3,677 results for winter
Mapping the Field: Lawrence Alloway’s Art Criticism-as-Information
Lawrence Alloway claimed that the art critic should avoid explicit value judgements and instead provide information. This paper historicises Alloway’s …
Curating Spaces for Not-Knowing
This paper discusses a research study undertaken at Tate Liverpool in 2013–16 that investigated experiences of co-creating knowledge about the …
‘Dusty Navigational Pathways’: Net Art in the Museum
This essay explores the history of the fifteen net artworks commissioned by Tate for its website between 2000 and 2011. …
‘Yes, But How Can It Be Live and Collectable?’: Tony Conrad’s Ten Years Alive on the Infinite Plain 1972
This essay charts the different interpretations of this work that's been staged fourteen times since it was first performed
What Next for Routes In ?
Routes In is a Young People’s Programme that aims to support young people from under-represented backgrounds into creative careers. It …
A Reassessment of the Solar Geometry of Constable’s Salisbury Rainbow
Tate Research In Focus project on John Constable's Salisbury Cathedral from the Meadows 1831
Tangentially: The Archive and the Bathroom
This paper discusses the role of the archive in relation to the artistic process, through the work of Lucy Gunning, …
Conserving Mark Rothko’s Black on Maroon 1958: The Construction of a ‘Representative Sample’ and the Removal of Graffiti Ink
This paper describes the preparation of a ‘representative sample’ and the investigation and refining of the solvent system used to …
Insights into Eva Hesse’s Working Practice: A Technical Study of Addendum 1967
Eva Hesse created her sculpture Addendum in 1967, at a time when she was experimenting with and exploring new materials …
August Sander’s Portraits of Persecuted Jews
Countering the characterisation of August Sander’s work as politically neutral, Rose-Carol Washton Long argues that the ‘The Persecuted’ and ‘Political …
New Media Art and the Gallery in the Digital Age
This paper examines some the changes that digital technology has wrought upon conceptions of space, time and culture, and how …
Iconic Portraits: Revising the Canon
Tate Research In Focus study on Family Jules: NNN (No Naked Niggahs) 1974 by Barkley L. Hendricks
On the Evolution of a Peer-led Programmme: Tate Forum
This paper reflects on the development of Tate Forum, Tate Britain’s peer-led youth group (established 2002), drawing on interviews with …
‘Remembering Exhibitions’: From Point to Line to Web: Landmark Exhibitions Issue
The author discusses the proliferation of the new genre of ‘remembering exhibitions’ as part of the recent interest in the …
Listening for the Sublime: Aural-Visual Improvisations in Nineteenth-Century Musical Art
Music’s capacity to expose the contradictions which emerged within late nineteenth-century understandings of the sublime is explored in relation to …
Representation and Reputation: Barbara Hepworth’s Relationships with her American and British Dealers
After the Second World War Barbara Hepworth sought to raise her profile in America, but her attempts to do so …
Zen as a Transnational Current in Post-War Art: The Case of Mira Schendel
In this paper Majella Munro proposes that Zen can be applied as a transnational intellectual framework for the analysis of …
Hatchings: Technique as Motif
Tate Research In Focus project on Dancers on a Plane 1980–1 by Jasper Johns
Dust and Doubt: The Deserts and Galaxies of Vija Celmins
This article considers one work on paper by Vija Celmins in the ARTIST ROOMS collection: Untitled (Desert–Galaxy) 1974. In a …