Showing 3,661–3,677 of 3,677 results for winter
Lost and Found? Hamad Butt at Tate
This article constructs a ‘pre-history’ of °Õ²¹³Ù±ð’s acquisition of Hamad Butt’s final major installation work, Familiars. Taking into account …
1960–9
Face-Off in Weimar Culture: The Physiognomic Paradigm, Competing Portrait Anthologies, and August Sander’s Face of Our Time
August Sander’s photobook Face of Our Time is discussed in relation to interest in physiognomy in Weimar Germany. Much of …
Biopolitical Effigies: The Volatile Life-Cast in the Work of Paul Thek and Lynn Hershman Leeson
In the late 1960s and early 1970s American artists Paul Thek and Lynn Hershman Leeson independently created wax effigies and …
Frank Bowling: Material Explorations
This paper establishes a technical art history of the paintings of Frank Bowling and chronicles materials and techniques used by …
The Value of Values: Reflections on Tate Exchange
This paper aims to explore the frames of practice that were constructed or improvised in Tate Exchange over its first …
‘Not Incorrect and Particularly Not Irrelevant’: Joseph Beuys and Henning Christiansen, 1966–71
Between 1966 and 1971, Danish composer Henning Christiansen (1932–2008) appeared in eight of Joseph Beuys’s actions. This article examines the …
‘Layers of Looking’: Changing Surfaces in the Paintings of Gary Hume
This article explores issues of change in the high gloss surfaces of four of Gary Hume’s paintings: Incubus 1991, Water …
Learning through the Acquisition and Display of Works by Ima-Abasi Okon: Enacting Radical Hospitality through Deliberate Slowness
As part of the research project Reshaping the Collectible: When Artworks Live in the Museum, practice-based research was undertaken in …
The Geometry of Syntactics, Semantics and Pragmatics: Anthony Hill’s Concrete Paintings
Between 1952 and 1956, the British artist Anthony Hill made a small number of abstract, concrete paintings before turning away …
Where Theory Belongs: Four Ways to Experience a Seminar in Contemporary Art
Exploring how the format of the seminar as used in contemporary art education is developing, and the social, economic and …
From the Issue of Art to the Issue of Position: The Echoes of Socialist Realism
Socialist Realism represented the dominant creative method of China’s revolutionary era, yet critical histories of the practice are limited. This …
The Making of a Triptych: The Annunciation and Adoration of the Magi 1861 by Edward Burne-Jones
This paper examines Edward Burne-Jones’s commission to make an altarpiece for St Paul’s church, Brighton. For this, his first major …
Institutional Practices: Collecting Performance Art at Tate
Guttuso, Guernica, Gramsci: Art, History and the Symbolic Strategy of the Italian Communist Party
The Italian Communist artist Renato Guttuso found in Picasso’s 1937 painting Guernica a language with which to confront the violence …
The Construction of Whiteness, Gender and Race in Early Modern Portraits
This article examines the construction of whiteness in three early modern portraits in the Tate collection: The Cholmondeley Ladies c.1600–10 …