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Read our report on this symposium, which explored Asian art after 1989 with a focus on how political and economic ¡­

Tomohiro Masuda reports on Tokyo Futures, the first day of Transnational Cities: Tokyo and London, which looked at ¡­

Michelle Lim reports on Transnational London, the second day of Transnational Cities: Tokyo and London, which looked at ¡­

Louis Hartnoll reports on a talk given by David Teh, Assistant Professor at the National University of Singapore, on 22 ¡­

Priyesh Mistry summarises a panel convened by Nada Raza, Research Curator, Tate Research Centre: Asia, at Tate Britain on 7 ¡­

Shigeo Anza?¡¯s photography career began by documenting the 1970 Tokyo Biennale. In this interview he discusses his personal experience of ¡­

Annie Jael Kwan reports on a panel organised by Eva Bentcheva, independent art historian and curator, at ºÚÁÏÉç on ¡­

Eva Bentcheva reports on a talk given by Nora Taylor, Alsdorf Professor of South and Southeast Asian Art at the ¡­

Socialist Realism represented the dominant creative method of China¡¯s revolutionary era, yet critical histories of the practice are limited. This ¡­

Artist Susumu Koshimizu discusses his practice in general as well as the art scene in 1970s Japan. He also speaks ¡­

Eliza Tan summarises a panel organised by Yohko Watanabe, Professor and Curator at Keio University, at ºÚÁÏÉç on 21 ¡­

Cai Jin (born 1965) works with oil paint in vibrant colours. Her most celebrated work is the Banana Plant series, ¡­

Chen Qiulin (born 1975) works primarily with the moving image but also performance, photography and installation. Interested in reality for ¡­

Trained as a painter, Cui Xiuwen (born 1967) mainly works in conceptual photography and the moving image. While her early ¡­

Working in moving image, Fang Lu (born 1981) is inspired by popular culture and daily life experience. Her work reveals ¡­

Gao Ling (born 1980) has an interdisciplinary approach, encompassing installation, photography and performance. Within her works Gao challenges the relationship ¡­

As part of the post-1978 generation, Han Yajuan (born 1980) is concerned with China¡¯s socio-cultural transformations and new materialistic trends. ¡­

Through a combination of performance, video and photography, He Chengyao (born 1964) explores gender, mental illness and the body as ¡­

Hu Xiaoyuan (born 1977) employs a variety of media within her works, including video, performance and installations. She uses mixed ¡­

Lin Jingjing (born 1970) employs varied media including video, photography and performance to explore notions of social and personal identity ¡­