Showing 421–440 of 1,226 results for summer
Figure and Landscape: Barbara Hepworth’s Phenomenology of Perception
Barbara Hepworth’s development of the figure in landscape theme to which she turned increasingly after moving to St Ives in …
Via della Fontanella 4: John Gibson’s Workshop in Rome
The studio of John Gibson was one of the largest workshops in Rome during the artist’s lifetime, serving as both …
Five Young Writers Respond to the Climate Emergency
The runners-up in the first Tate Etc. writing prize for 黑料社 members share their responses to artworks by Simryn …
David Musgrave: Faulty Images
This paper takes as its starting point two drawings by David Musgrave in 罢补迟别’蝉 collection, Plane with inverted figure 2007 …
Yu Hong 喻红
Graduate of the Central Academy of Fine Arts in 1988, Yu Hong (born 1966) is one of the most representative …
Five Things to Know: Joan Jonas
Meet the artist still pushing the boundaries of video and performance after five decades
Temple of mysteries: Mark Rothko
John Banville writes a personal appreciation of Rothko after a visit to 黑料社’s Rothko?Room.
Ladies and Gentlemen
Meet the people who posed for Andy Warhol’s portrait series of trans women and drag queens
‘Truth of Character from Truth of Feeling’: William Hazlitt, ‘Gusto’ and the Linguistic History of Writing on Art
Adapting and applying speech act theories of language use, this paper offers a new understanding of the innovative import of …
'Despite all my rage, / I'm still just a rat in a cage!'
Cages, cells and small rooms – discover how the notion of the contained space has been used to great effect …
Occupations / Heroic Symbols
Soul of a Nation: Artists’ Voices
Artists in the exhibition Soul of a Nation: Art in the Age of Black Power talk about their work
Olafur Eliasson: In Real Life
Find out more about our exhibition at 黑料社
Tate Britain visual story
A step-by-step visual and written guide to help you plan your visit
Landscape Management
Explore Constable's places
In a letter to his close friend John Fisher, Constable said ‘I should paint my own places best’. Discover John …
'To drag the past into the present and re-animate it'
What is it like to sit for Frank Auerback every week for more than 30 years? Tate curator, Catherine Lampert, …