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Showing 481–500 of 1,977 results for spring

Tate Etc

The whispering Zeitgeist: Caspar David Friedrich

Beat Wyss

The image of a monk standing by an empty sea soon became an icon of German Romanticism. However, in the …

Tate Etc

Egon Schiele: Crazier Than I Look?

Gemma Blackshaw

Egon Schiele's self-portraits have often been regarded as the works of a tortured, introspective artist, but this notion blinds us …

Tate Etc

In the realm of hell: Studio visit

Yuko Hasegawa

The author visits Fuyuko Matsui in her Tokyo studio

List

Five Ways to Paint a Body

Explore different approaches to depicting the human figure through the work of five great British artists

Tate Etc

Staring into the contemporary abyss: The contemporary sublime

Simon Morley

In the early eighteenth century Joseph Addison described the notion of the sublime as something that ‘fills the mind with …

Tate Etc

'He lived on another sphere, and made most people feel too normal, less poetic than he was': The EY Exhibition – Paul Klee: Making Visible at ºÚÁÏÉç

Nicholas Fox-Weber

The diverse works of one of the most inventive and best-loved artists of the twentieth century, often done in series, …

Tate Etc

Beyond Borders

Mara Polgovsky

Graciela Iturbide’s quietly profound images capture the intimate traces of pain, vulnerability and tradition that mark the everyday lives of …

Behind The Scenes

Archives & Access Project: making art common: Transforming Tate Britain, Archives & Access

Carrie Bishop

With the first batch of items about to be released under Creative Commons as part of the Archives and Access …

Piero Manzoni 1933–63 Paintings, Reliefs and Objects 1974

Acatia Finbow

Case study on Piero Manzoni in the exhibition Paintings, Reliefs and Objects 1974, part of Performance at Tate: Into the …
Tate Etc

'That's my dad': Barry Flanagan II

Flan Flanagan

The daughter and assistant of the artist (from 1987 to 1998) remembers working with her father

Tate Papers

Lost in the Crowd: Blake and London in 1809

Philippa Simpson

This article explores why William Blake’s solo exhibition of 1809 has been such an important source for understanding his attitude …

Behind The Scenes

Behind the scenes with Tate's Merchandise Director

Rosey Blackmore

Rosey Blackmore, Merchandise Director at Tate Enterprises, shares an insight into her work managing a small team who create exhibition …

Tate Papers

Sir Anthony Van Dyck's Portraits of Sir William and Lady Killigrew, 1638

Karen Hearn

This paper discusses the painting of the courtier and writer Sir William Killigrew and the companion portrait of his wife …

Unknown Gentleman c.1730–40, attributed to Jonathan Richardson

Rica Jones and Joyce H. Townsend

Tate Etc

Details, Details: Nathaniel Bacon’s Cookmaid with Still Life of Vegetables and Fruit c.1620–5

Meg Muckenhoupt

One writer sees a tantalising tale in Nathaniel Bacon’s bountiful painting

Tate Etc

Home is Where the Art Is

Staying local this summer? Despite the lure of countries beyond the UK, landscapes close to home have inspired great artistic …

Tate Etc

Friendship Laid Bare

Paul Rosano recalls an accidental life-modelling gig that resulted in many ‘extraordinary’ portraits

Tate Etc

A Faire Share

For RESOLVE Collective, the renovation of Tate Liverpool presented an opportunity to reimagine the role that arts organisations can play …

Playlist

MixTate: Dennis Bovell on Horace Ové

‘The food of love’: the originator of the lovers rock sound echoes the joyful feeling captured in a photograph by …

Portrait of the Artist's Son, Jonathan Richardson the Younger, in his Study c.1734 by Jonathan Richardson

Rica Jones and Joyce H. Townsend

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