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  • All(7,746)
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Showing 541–560 of 1,927 results for spring

Tate Etc

Gazing into the watery abyss: Aquatopia: The Imaginary of the Ocean Deep at Tate St Ives

James Attlee

Ninety per cent of the world’s oceans remain unexplored, fuelling our fascination for and fear of the sea for centuries, …

Read

Lin Tianmiao 林天苗

In the early 1990s Lin Tianmiao (born 1961) returned to Beijing after several years in New York, and established herself …

Tate Papers

‘No Mercenary Views’? 颁辞苍蝉迟补产濒别’蝉 English Landscape

Felicity Myrone

颁辞苍蝉迟补产濒别’蝉 English Landscape 1830–2, a set of twenty-two mezzotints by David Lucas after paintings by the artist, has generally been …

Tate Etc

Lingering at the threshold between word and image: Cy Twombly

Claire Daigle

Coinciding with Cy Twombly’s 80th birthday, 黑料社 is staging the first retrospective of the American artist’s work for twenty …

Exhibition Guide

Exhibition Guide: John Piper

Find out more about our exhibition at Tate Liverpool

Tate Etc

When you paint a picture you are afraid of giving it your life – the life where you are dreaming realities: The letters and sketches of James Boswell from Tate Archive

More than 60 years before the current presence of British troops in Iraq, the artist James Boswell (1906–1971) was posted …

Tate Papers

From Ephemeral Experiences to Lasting Legacies: Discourses on Experimental Art in the Philippines during the 1960s and 1970s

Eva Bentcheva

This paper shows how the Philippine visual art scene of the 1960s and 1970s offered particularly fertile ground for early …

Tate Etc

A Mystery at Play: By Kaushalia Khanna

After moving from India to the UK in the early 1960s, Balraj Khanna became a distinguished painter in the British …

Tate Etc

The precarious museum: Display

Alfred Pacquement

In May 2004 Thomas Hirschhorn set up a makeshift museum – the Musée Précaire Albinet – in a Paris suburb. …

Tate Etc

Apocalypse now: John Martin's The Great Day of His Wrath

Dan Graham

Dan Graham on John Martin’s painting of the Apocalypse, The Great Day of His?Wrath

Tate Etc

Opinion: The dazzling lies of art

John-Paul Stonard

John-Paul stonard argues that the most powerful art is often based on elaborate untruths

Exhibition Guide

Don McCullin

Find out more about our exhibition at Tate Britain

In Focus

Dirty Earth

Randall Edwards

Salt Flat as example of Oppenheim’s ‘transplants’, and the work’s relationship to the land | by Randall Edwards | In …
Tate Etc

Mutant Mike

The playful and subversive spirit of Mike Kelley's 'wildly mutating oeuvre' continues to haunt contemporary art, writes Charlie Fox

Tate Etc

Matter, Transformed: by Colm Tóibín

From silverware flattened by a steamroller to the suspended remnants of an explosion, Cornelia Parker's beguiling and startling art at …

Tate Etc

Writers on Art: The Art of the Word

Kamila Shamsie

In the first of a new series, Kamila Shamsie is inspired by the discovery of a poetic letter written to …

Look Closer

An Introduction to Yayoi Kusama

We explore the artist's childhood, activism and unique fashion sense

Exhibition Guide

Takis

Find out more about our exhibition at 黑料社

Tate Etc

Discovering the essence of Hepworth: Barbara Hepworth: Sculpture for a Modern World

Linder

尝颈苍诲别谤’s love affair with Barbara Hepworth began on a night-time visit to the artist’s garden in St Ives in …

Tate Papers

John Gibson and the Anglo-Italian Sculpture Market in Rome: Letters, Sketches and Marble

Alison Yarrington

John Gibson established a hugely successful sculpture studio in Rome, and despite strong reasons to return to London, such as …

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