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Showing 41–58 of 58 results for paul nash

Online Guide

Women and Power

Explore stories of women’s empowerment across the centuries through works in our collection

Tate Etc

We love you, Yoko

To celebrate the largest exhibition of Yoko Ono’s work ever to be staged in the UK, we bring together 18 …

Tate Etc

Lights, camera, ...metamorphosis: Salvador Dalí

Ian Christie

Salvador Dalí as filmmaker? A strange idea to those who think he was little more than a one-time collaborator with …

Tate Etc

Colour me British: Watercolour I

Klaus Kertess, Jerry Brotton, Vidya Gastaldon, Jennifer Higgie, Silke Otto-Knapp, David Attenborough, Matsui Fuyuko, Deanna Petherbridge and David Musgrave

Tate Britain is staging a grand survey of watercolour painting in Great Britain, from the early thirteenth century through to …

Tate Etc

Mind fields: The changing landscape of Britain

Jonathon Porritt, Wim Wenders, Siobhan Davies, The Reverend Alan Walker, Richard A. Fortey, José Loosemore, Mark Avery, Michael Palin, Thomas Joshua Cooper, Rick Stein and David Matthews

Tate Etc. introduces eleven personal responses to artworks that reflect the changing face of a nation.

Student Resource

Weather Coursework Guide

From sun worshipers, cloud gazers and storm chasers to artists who use the weather to explore broader themes and ideas

Tate Papers

Curving Round: David Sylvester and the ‘Rediscovery’ of David Bomberg

Lee Hallman

Lee Hallman considers how David Sylvester’s role in the rehabilitation of David Bomberg’s reputation in the 1950s and 1960s illuminates …

Tate Papers

Ethel Walker, Advocacy and Recognition in the Early Twentieth Century

Jon King

Recent exhibitions have highlighted Ethel Walker’s significant role in early twentieth-century British art. This article examines Walker’s self-advocacy, the support …

Tate Papers

‘New Ways of Modern Bohemia’: Edward Burra in London, Paris, Marseilles and Harlem: Rothenstein Lecture

Andrew Stephenson

Paying close attention to Edward Burra’s letters, scrapbooks and other archival material, Andrew Stephenson reveals the impact that the cosmopolitan …

In Focus

Anti-Photojournalism: Working Against the Grain

Stephanie Schwartz

Tate In Focus research project exploring Waiting for Tear Gas 1999–2000 by Allan Sekula
Tate Papers

To Dispel a Great Malady: Robinson in Ruins , the Future of Landscape and the Moving Image: Art & Environment

Stephen Daniels, Patrick Keiller, Doreen Massey and Patrick Wright

Patrick Keiller’s film Robinson in Ruins was made as part of an AHRC project, ‘The Future of Landscape and the …

Tate Papers

Perspectives: Negotiating the Archive

Sue Breakell

Archives are more prominent than ever, not only in art practice and theoretical discourse but also in popular culture. An …

Tate Papers

Lines of Sight: Alfred Watkins, Photography and Topography in Early Twentieth-Century Britain

Stephen Daniels

Alfred Watkins (1855–1935) originated the idea of ley-lines and surveyed alignments which articulated the prehistoric landscape of Britain, in his …

Archives& Access Toolkit

Designing an archive digitisation project

From planning to delivery and all that's in between

Tate Etc

Tune in, turn on, light up: The summer of love

Glenn O'Brien, Mary Woronov, Billy Name, Mark Boyle, Robert Wyatt, Ronald Nameth, Joshua White and Amalie R. Rothschild

During the 1960s, the light show became an important part of both the club and rock concert experience – no …

Tate Papers

David Hockney’s Early Etchings: Going Transatlantic and Being British

Martin Hammer

David Hockney’s early autobiographical prints, My Bonnie Lies Over the Ocean 1961 and the series A Rake’s Progress 1961–3, are …

Tate Papers

‘No Continuing City’: John Constable, John Britton and Views of Urban History

Stephen Daniels

This article explores the place of urban subjects in works by the nineteenth-century artist John Constable, who is generally known …

Tate Papers

‘Marx on the Wall’: Muralism and Anglo-American Exchange during the 1930s

Jody Patterson

This article explores English artists’ support for socially engaged public mural painting during the 1930s in relation to international developments, …

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