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  • All(6,345)
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Showing 581–600 of 1,207 results for summer

Silver action performance: what are the conditions necessary to develop a successful learning or artistic project?

Fiona Kingsman

The purpose of this article is to make visible that which is often an invisible or hard to quantify element …

In Focus

Representing Identity

Lucy Bradnock

Tate Papers

Sir Anthony Van Dyck's Portraits of Sir William and Lady Killigrew, 1638

Karen Hearn

This paper discusses the painting of the courtier and writer Sir William Killigrew and the companion portrait of his wife …

Exhibition Guide

Exhibition guide: Life in Motion

Find out more about our exhibition at Tate Liverpool

In the Gallery

visual story

A step-by-step visual and written guide to help you plan your visit

Tate Etc

Drawing the vortex: The Vorticists II

Mark Antliff

The British avant-garde group was formed in London in 1914 by the artist, writer and polemicist Wyndham Lewis. Their idea, …

Tate Etc

Art Breaking Free

In the early 20th century, an international circle of friends known as the Blue Rider were united by an urge …

Tate Papers

‘No Mercenary Views’? DzԲٲ’s English Landscape

Felicity Myrone

DzԲٲ’s English Landscape 1830–2, a set of twenty-two mezzotints by David Lucas after paintings by the artist, has generally been …

Tate Etc

Lights, camera, ...metamorphosis: Salvador Dalí

Ian Christie

Salvador Dalí as filmmaker? A strange idea to those who think he was little more than a one-time collaborator with …

Tate Etc

Rudely transgressing the boundaries between the elevated and the profane: Etc. Essay: The grotesque

Jonathan Griffin

The notion of the grotesque in art has been around for centuries, but it is currently being re-imagined, often with …

Tate Etc

Subject to Interpretation

To celebrate the launch of a new suite of audio description films produced by Tate as part of the Terra …

Project

IK Prize

The IK Prize is presented annually by Tate for an idea that uses digital technology to innovate the way we …

Tate Papers

The History and Manufacture of Lithol Red, a Pigment Used by Mark Rothko in his Seagram and Harvard Murals of the 1950s and 1960s

Harriet A. L. Standeven

For his 1950s and 1960s Seagram and Harvard murals, American artist Mark Rothko employed lithol red – a highly fugitive …

Tate Papers

Learning through the Acquisition and Display of Works by Ima-Abasi Okon: Enacting Radical Hospitality through Deliberate Slowness

Libby Ireland

As part of the research project Reshaping the Collectible: When Artworks Live in the Museum, practice-based research was undertaken in …

Tate Etc

The men-women of the Pacific: Paul Gauguin II

Mario Vargas Llosa

During the research for his novel The Way to Paradise, which interweaves the life of Gauguin with that of …

Tate Etc

The legacy of the war on terror: Art and terrorism

Anthony Downey

For centuries artists have both responded to and reflected on political actions and events that shape society. Now they have …

Tate Etc

The unholy trinity: Duchamp, Man Ray, Picabia

Bernard Marcadé

To coincide with the first exhibition to explore the inter-relationship between Duchamp, Man Ray and Picabia, to be staged at …

Tate Etc

'It Is not a lasso, an arabesque, nor a piece of spaghetti': Lucio Fontana

Francesca Pasini

Fontana saw his work as a classic representation of what he called “a spatial environment” and described it as “a …

Tate Papers

Curving Round: David Sylvester and the ‘Rediscovery’ of David Bomberg

Lee Hallman

Lee Hallman considers how David Sylvester’s role in the rehabilitation of David Bomberg’s reputation in the 1950s and 1960s illuminates …

Equality, Diversity and Inclusion

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