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  • All(6,345)
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Showing 601–620 of 1,229 results for summer

Project

IK Prize

The IK Prize is presented annually by Tate for an idea that uses digital technology to innovate the way we …

Tate Papers

The History and Manufacture of Lithol Red, a Pigment Used by Mark Rothko in his Seagram and Harvard Murals of the 1950s and 1960s

Harriet A. L. Standeven

For his 1950s and 1960s Seagram and Harvard murals, American artist Mark Rothko employed lithol red – a highly fugitive …

Tate Papers

Learning through the Acquisition and Display of Works by Ima-Abasi Okon: Enacting Radical Hospitality through Deliberate Slowness

Libby Ireland

As part of the research project Reshaping the Collectible: When Artworks Live in the Museum, practice-based research was undertaken in …

Tate Etc

The men-women of the Pacific: Paul Gauguin II

Mario Vargas Llosa

During the research for his novel The Way to Paradise, which interweaves the life of Gauguin with that of …

Tate Etc

The legacy of the war on terror: Art and terrorism

Anthony Downey

For centuries artists have both responded to and reflected on political actions and events that shape society. Now they have …

Tate Etc

The unholy trinity: Duchamp, Man Ray, Picabia

Bernard Marcadé

To coincide with the first exhibition to explore the inter-relationship between Duchamp, Man Ray and Picabia, to be staged at …

Tate Etc

'It Is not a lasso, an arabesque, nor a piece of spaghetti': Lucio Fontana

Francesca Pasini

Fontana saw his work as a classic representation of what he called “a spatial environment” and described it as “a …

Tate Papers

Curving Round: David Sylvester and the ‘Rediscovery’ of David Bomberg

Lee Hallman

Lee Hallman considers how David Sylvester’s role in the rehabilitation of David Bomberg’s reputation in the 1950s and 1960s illuminates …

Equality, Diversity and Inclusion

Aldo Tambellini born 1930 Retracing Black 2012, Moondial 1966, Black Zero 1965

Acatia Finbow

Case study on Aldo Tambellini's Retracing Black 2012, Black Zero 1965 and Moondial 1966, part of Performance at Tate: Into …

Joan Jonas born 1936 Draw Without Looking 2013

Acatia Finbow

Case study examining Joan Jonas's Draw Without Looking 2013, part of Performance at Tate: Into the Space of Art, a …
In the Gallery

A guide to slow looking

Be amazed by the discoveries you can make when you look for longer at art

PhD opportunity: Imperial Intimacies: Portraiture and the East India Company, c.1757–1857

The Tate and the Courtauld are pleased to announce the availability of an Arts and Humanities Research Council fully funded …

Tate Etc

Brilliant imperfections: British Folk Art

Jeff McMillan

Old shop signs, ships’ figureheads, spirit vessels, naïve paintings, needlework samplers… what is folk art? Steeped in tradition, and often …

Tate Etc

New Voices: Face Mask

Sharlene Teo

From our deepest insecurities to our darkest desires, the face tells it all

Tate Etc

Lives of the Artists: Grace Pailthorpe and Reuben Mednikoff

Michel Remy

Introducing the British surrealists who formed a fascinating and unsettling partnership

Tate Etc

A family affair: Millais

Edward Platt

Millais’s early career was closely linked to his friendship with the Lemprière family. The teenage artist’s desire for one of …

Tate Etc

Welcome to his situation...: Tino Sehgal's Turbine Hall commission

Arthur Lubow

The work of the British-born German artist Tino Sehgal exists solely as a set of choreographed gestures and spoken instructions …

Tate Etc

No Fixed Horizon

Paul Pfeiffer’s 2003 film on JMW Turner’s Morning After the Deluge explores the uncanny notion that perception isn’t stable …

In Focus

Adam: An Early Exhibition and Ownership History

James Finch

In Focus project on Adam (1951, 1952) by Barnett Newman, authored by Michael Schreyach with contributions by Michael Leja and …
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