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Guard Dog on a Missile Base, No. 1

Colin Self

1965

Anonymous. Studio Shehrazade, Saida, Lebanon, late 1960s. Standard profile portrait, mandatory for candidates to military service. Hashem el Madani

Akram Zaatari

2007

View by appointment

Portrait of Mary Kytson, Lady Darcy of Chiche, later Lady Rivers

Unknown artist, Britain

c.1590

On display at Tate Britain part of Historic and Modern British Art

Interpretation from Dürer’s Portrait of Conrad Verkell with Landscape

Henry Moore OM, CH

1979

View by appointment

Double Nude Portrait: The Artist and his Second Wife

Sir Stanley Spencer

1937

Portrait of a Lady and a Boy, with Pan

John Hayls

1655–9

Portrait of David Hockney in a Hollywood Spanish Interior

Peter Blake

1965

Portrait of John Ruskin, Head and Shoulders, Full Face

Charles Fairfax Murray

1875

View by appointment

Portrait of the Artist’s Mother, Mrs Laura Hockney, Bradford

David Hockney

1972

View by appointment

Portrait of the artist as a young girl(s)

Allison Katz

2022

On display at Tate Britain part of Modern and Contemporary British Art

Untitled

Francesca Woodman

��.1976–7

Joseph Nollekens

Sir William Beechey

exhibited 1812

I Extend My Arms

Claude Cahun

1931 or 1932

On display at �� part of Media Networks

No. 1: Black Sun

Helen Chadwick

1989

The Revd Dr James Andrew

John Constable

1818

Anonymous. Studio Shehrazade, Saida, Lebanon, late 1960s. Standard frontal portrait, mandatory for candidates to military service. Hashem el Madani

Akram Zaatari

2007

View by appointment

Got a Salmon On #3

Sarah Lucas

1997

From Tarzan to Rambo: English Born ‘Native’ Considers her Relationship to the Constructed/Self Image and her Roots in Reconstruction

Sonia Boyce OBE

1987

Portraits of Charles Shannon and Charles Ricketts

Jacques-Émile Blanche

1904

Matthew Smith

Augustus John OM

1944

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Showing 621–640 of 2,860 results for self-portrait

Guard Dog on a Missile Base, No. 1

Anonymous. Studio Shehrazade, Saida, Lebanon, late 1960s. Standard profile portrait, mandatory for candidates to military service. Hashem el Madani

Portrait of Mary Kytson, Lady Darcy of Chiche, later Lady Rivers

Interpretation from Dürer’s Portrait of Conrad Verkell with Landscape

Double Nude Portrait: The Artist and his Second Wife

Portrait of a Lady and a Boy, with Pan

Portrait of David Hockney in a Hollywood Spanish Interior

Portrait of John Ruskin, Head and Shoulders, Full Face

Portrait of the Artist’s Mother, Mrs Laura Hockney, Bradford

Portrait of the artist as a young girl(s)

Untitled

Joseph Nollekens

I Extend My Arms

No. 1: Black Sun

The Revd Dr James Andrew

Anonymous. Studio Shehrazade, Saida, Lebanon, late 1960s. Standard frontal portrait, mandatory for candidates to military service. Hashem el Madani

Got a Salmon On #3

From Tarzan to Rambo: English Born ‘Native’ Considers her Relationship to the Constructed/Self Image and her Roots in Reconstruction

Portraits of Charles Shannon and Charles Ricketts

Matthew Smith

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Refine your search

Artist

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Showing 621–640 of 2,860 results for self-portrait

Guard Dog on a Missile Base, No. 1

Anonymous. Studio Shehrazade, Saida, Lebanon, late 1960s. Standard profile portrait, mandatory for candidates to military service. Hashem el Madani

Portrait of Mary Kytson, Lady Darcy of Chiche, later Lady Rivers

Interpretation from Dürer’s Portrait of Conrad Verkell with Landscape

Double Nude Portrait: The Artist and his Second Wife

Portrait of a Lady and a Boy, with Pan

Portrait of David Hockney in a Hollywood Spanish Interior

Portrait of John Ruskin, Head and Shoulders, Full Face

Portrait of the Artist’s Mother, Mrs Laura Hockney, Bradford

Portrait of the artist as a young girl(s)

Untitled

Joseph Nollekens

I Extend My Arms

No. 1: Black Sun

The Revd Dr James Andrew

Anonymous. Studio Shehrazade, Saida, Lebanon, late 1960s. Standard frontal portrait, mandatory for candidates to military service. Hashem el Madani

Got a Salmon On #3

From Tarzan to Rambo: English Born ‘Native’ Considers her Relationship to the Constructed/Self Image and her Roots in Reconstruction

Portraits of Charles Shannon and Charles Ricketts

Matthew Smith

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