Showing 641–660 of 672 results for autumn
Girl in a Chemise c.1905 by Pablo Picasso
Picasso transformed an earlier painting of a boy to create this profile of a slender young woman. This paper uses …
ARTIST ROOMS on Tour with The Art Fund, supported by The Scottish Government
22 Jan 2009
ARTIST ROOMS on Tour with The Art Fund, supported by The Scottish Government: Press related to past news.
New Media Art and the Gallery in the Digital Age
This paper examines some the changes that digital technology has wrought upon conceptions of space, time and culture, and how …
Jolt, Catalyst, Spark! Encounters with Artworks in the Schools Programme at ºÚÁÏÉç
This paper describes the findings of a practice-based research project to assess the qualitative shifts in learning made by participants …
Thomas Guest and Paul Nash in Wiltshire: Two Episodes in the Artistic Approach to British Antiquity
The artistic representation of British antiquity brings in its wake a problem of methodology: how are the working assumptions of …
To Be Continued: Periodic Exhibitions ( dOCUMENTA , for Example): Landmark Exhibitions Issue
In this paper the author reflects on the early history of the dOCUMENTA exhibitions held every five years in Kassel, …
Figure and Landscape: Barbara Hepworth’s Phenomenology of Perception
Barbara Hepworth’s development of the figure in landscape theme to which she turned increasingly after moving to St Ives in …
Placing Bookmarks: The Institutionalisation and De-Institutionalisation of Hungarian Neo-Avant-Garde and Contemporary Art
The recent interest in avant-garde art from Hungary shown by international museums such as Tate has been paralleled by transformations …
American Painting , 1946
Presented at the Tate Gallery in 1946, American Painting: From the Eighteenth Century to the Present Day was the first …
A Belated ‘Breakthrough’ to Abstraction
In Focus study by AnnMarie Perl on Meryon 1960–1 by Franz Kline, a Tate Research publication
Commitment and Desire in Sharon Hayes’s Ricerche: three 2013
This article examines Sharon Hayes’s video work Ricerche: three 2013 and the way it represents and mediates the often-painful psychic …
Transforming Collections Information at Tate: The Case for an Embedded, Artist-Directed and Object-Centred Ethos
Public art institutions in the United Kingdom have been critiqued for emphasising socio-political interpretations of Black and brown artists’ works …
William Hazlitt’s Account of ‘Mr Angerstein’s Collection of Pictures’
Hazlitt’s account of the Angerstein Collection was published anonymously in 1822, two years before Lord Liverpool purchased thirty-eight pictures from …
Value and Audience Relationships: °Õ²¹³Ù±ð’s Ticketed Exhibitions 2014–15
In this report Mariza Dima sets out the findings of a research project examining the experiential and educational value of …
‘New Ways of Modern Bohemia’: Edward Burra in London, Paris, Marseilles and Harlem: Rothenstein Lecture
Paying close attention to Edward Burra’s letters, scrapbooks and other archival material, Andrew Stephenson reveals the impact that the cosmopolitan …
‘Marx on the Wall’: Muralism and Anglo-American Exchange during the 1930s
This article explores English artists’ support for socially engaged public mural painting during the 1930s in relation to international developments, …
The Painting
Tate Research In Focus project on John Constable's Salisbury Cathedral from the Meadows 1831
Past student profiles
Tate hosts a growing number of doctoral students engaged in research at Tate. Here you can read short profiles introducing …
Emerson’s Evolution
British photographer Peter Henry Emerson’s dramatic recantation of his beliefs about photography and art forms a canonical yet perplexing episode …