Showing 641–660 of 1,875 results for nature
ARTIST ROOMS: Young People and Learning 2009–10
This report describes and evaluates the ARTIST ROOMS learning initiatives launched in 2009–10 at Tate and the National Galleries of …
Pop goes the past: Lichtenstein: A Retrospective at ºÚÁÏÉç I
Roy Lichtenstein was widely regarded as one of the key figures of American Pop Art. A pioneer of a new …
Re-enacting Art and Travel: Art & Environment
In light of theories of re-enactment, Geoff Quilley argues that the landscape imagery produced by amateur British naval artists on …
Coral and Lichen, Brains and Bowels: Jay DeFeo’s Hybrid Abstraction
Situating the US artist Jay DeFeo within a network of West Coast practitioners during the 1950s and 1960s, this essay …
Colour me British: Watercolour I
Tate Britain is staging a grand survey of watercolour painting in Great Britain, from the early thirteenth century through to …
‘Suffer a Sea-Change’: Turner, Painting, Drowning
This paper reflects upon the implications of J.M.W. Turner’s close and varied attention to the depiction of sea-water. In particular, …
A Year in Art: Australia 1992
Find out more about our exhibition at ºÚÁÏÉç
Barbara Hepworth: Art & Life
Explore the Tate St Ives exhibition room by room
Bell in Europe
The Evidence of Images
Art of Interaction: A Theoretical Examination of Carsten Höller’s Test Site
This paper looks at the interactivity of Carsten Höller’s Test Site 2006, using Alfred Gell’s Art and Agency (1998) and …
Face-Off in Weimar Culture: The Physiognomic Paradigm, Competing Portrait Anthologies, and August Sander’s Face of Our Time
August Sander’s photobook Face of Our Time is discussed in relation to interest in physiognomy in Weimar Germany. Much of …
Tangentially: The Archive and the Bathroom
This paper discusses the role of the archive in relation to the artistic process, through the work of Lucy Gunning, …
Hera Büyüktaşcıyan – 'What this ground remembers'
Explore the city of Istanbul with artist Hera Büyüktaşçıyan and discover how it inspires her approach to art-making
Interludes: Black Balloons
A soundscape response to Liz Johnson Artur’s Time don't run here
Inside the eye of the beholder: Edvard Munch II
In 1930, when Munch was 66 years old, an intraocular haemorrhage in his right eye affected his sight. For several …
Transmission Coursework Guide
Discover works in which artists explore the complex ways humans spread thoughts and ideas
Liu Ding born 1976 Almost Avantgarde 2013
Antony Gormley on Alberto Giacometti
Catch up with ºÚÁÏÉç director Frances Morris as she interviews artist Sir Antony Gormley