Showing 641–660 of 1,701 results for self-portrait
‘We were captivated’
What is it like visiting an artist’s studio? ºÚÁÏÉç director Frances Morris looks back to memorable visits to Yayoi …
MixTate: Minor Victories on Christopher Richard Wynne Nevinson
Minor Victories’ Justin Lockey approaches The Soul of the Soulless City with dread and wonder
Between terror and ecstasy: Artistic hallucination
Stories of hallucinations in art and literature date back to the Bible, but the idea of the artistic hallucination is …
High fidelity: Malcolm Morley
Malcolm Morley was an early practitioner of superrealist painting. He then won the first Turner Prize in 1984 after having …
Otto Dix and August Sander: In the Eye of the Storm
German artists Otto Dix and August Sander chronicled the rise and fall of the inter-war Weimar Republic, but their work …
The flowering of a new unreality?: Fischli/Weiss II
Peter Fischli and David Weiss’s first New York solo exhibition in 1986 at the Sonnabend Gallery featured replicas of regular …
Graceful enigmas: Duchamp, Man Ray, Picabia
Appreciations on Duchamp, Man Ray and Picabia by Jacqueline Matisse Monnier, T.J. Demos, George Baker and Kim Knowles.
An Introduction to Yayoi Kusama
We explore the artist's childhood, activism and unique fashion sense
MicroTate 8
Francis Wells on Luke Fildes’s The Doctor 1891, Alexa de Ferranti on William Hogarth’s The Painter and his Pug 1745, …
MixTate: Kara-Lis Coverdale on Joan Miró
Montréal-based composer Kara-Lis Coverdale sees a story of engagement in Joan Miró’s etching
Guided Freedom: Aesthetics, Tutelage, and the Interpretation of Art
This paper examines the operations of post-Kantian aesthetic discourses as parts of cultural technologies that induct individuals into particular kinds …
The emotional gaze: Sylvia Sleigh at Tate Liverpool
Sylvia Sleigh (1916–2010) was a Welsh-born realist painter who spent much of her life in New York with her husband, …
Via della Fontanella 4: John Gibson’s Workshop in Rome
The studio of John Gibson was one of the largest workshops in Rome during the artist’s lifetime, serving as both …
Style matters: Alex Katz in conversation
The artistic director of Tate St Ives visited one of America’s most respected artists working today, in his New York …
We Are The Future
Watch some of our collaborators past and present reflect on what art means to them
Haegue Yang: Strange Attractors
Find out more about our exhibition at St Ives
Fahrelnissa Zeid
Read the room guide for this exhibition