Showing 701–720 of 845 results for winter
Staring into the contemporary abyss: The contemporary sublime
In the early eighteenth century Joseph Addison described the notion of the sublime as something that ‘fills the mind with …
The Lives of Net Art: Introduction(s)
Part of the project Reshaping the Collectible: When Artworks Live in the Museum, The Lives of Net Art is a …
The Merging of Art and Mathematics in Surface Substitution on 36 Plates
Through the eyes of a child: Art Toys
Reading the Skies
Both the complexity of the natural world, and our effect on it, are difficult to grasp. To truly address the …
The Adolescent Female Body
Architecture and the Sixties: still radical after all these years
The Art and the 60s: This Was Tomorrow exhibition broke new ground for Tate Britain by mixing fine art, architecture …
Video Commune: Nam June Paik at WGBH-TV, Boston
In the late 1960s and early 1970s, the video artist Nam June Paik created his earliest works for broadcast at …
Ethel Walker, Advocacy and Recognition in the Early Twentieth Century
Recent exhibitions have highlighted Ethel Walker’s significant role in early twentieth-century British art. This article examines Walker’s self-advocacy, the support …
Greenberg’s Taste
‘The Veriest Poem of Art in Nature’: E. A. Hornel’s Japanese Garden in the Scottish Borders
E. A. Hornel (1864–1933) depicted Galloway girls in decorative, idyllic natural settings. From 1900 he also designed a small Japanese …
rukus!: A Conversation
The artists Topher Cambell and Ajamu X discuss the formation of rukus!, a collection of printed materials, conference agendas …
A Tale of Two Cities: From New York to Beijing
Discover resonances between two East Villages — one in New York, the other in Beijing — through the works of …
The Evidence of Images
Common Threads
Dance, Theatre and Performance
Next-to-nothing
In 1935 Gertrude Stein wrote that in a painting there should be "no air...no feeling of air". As Steven Connor …
Bound to fail: Open Systems I
The late 1960s saw a radical rethinking of the art object, with the emphasis shifting away from the static artwork …
The History and Manufacture of Lithol Red, a Pigment Used by Mark Rothko in his Seagram and Harvard Murals of the 1950s and 1960s
For his 1950s and 1960s Seagram and Harvard murals, American artist Mark Rothko employed lithol red – a highly fugitive …