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  • All(6,345)
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Showing 761–780 of 1,207 results for summer

Tate Etc

Conceptual Carnivalesque

Since the 1980s, Beatriz Milhazes has been making paintings that combine modernist geometric abstraction with the energy and imagery of …

Look Closer

Subjects and meaning in Salisbury Cathedral from the Meadows

Revolutionary in his approach to landscape but conservative in his approach to life: discover some of the themes that inspired …

Exhibition Guide

Exhibition Guide: John Piper

Find out more about our exhibition at Tate Liverpool

Tate Etc

Hello from ‘Sleepy’: Document: Mondrian in London

Simon Grant1

The Dutch painter Piet Mondrian (1872–1944) is regarded as one of the most important artists of the twentieth century. His …

In Focus

Critical Contexts

Sam Smiles

Tate In Focus research project exploring Mousehold Heath, Norwich c.1818–20 by John Crome
Tate Etc

The pleasures of sadness: Edward Hopper

Alain de Botton

Edward Hopper belongs to a particular category of artist whose work appears sad but does not make us sad…perhaps because …

Tate Etc

From the Surreal to the Decorative

Michael Bracewell, Marc Camille Chaimowicz, Alice Channer and Inga Fraser1

He is best known for his paintings from both world wars, as well as his surreal English landscapes, but Paul …

Tate Papers

All Systems Go: Recovering Jack Burnham’s ‘Systems Aesthetics’

Luke Skrebowski

Jack Burnham’s systems aesthetics was one of the first, fully developed, critical theories of postformalist artistic practice. Yet Burnham, undeservedly, …

Tate Papers

The Making of a Triptych: The Annunciation and Adoration of the Magi 1861 by Edward Burne-Jones

Rachel Scott, Fiona Mann, Katherine Hinzman, Joyce H. Townsend and Alastair Johnson

This paper examines Edward Burne-Jones’s commission to make an altarpiece for St Paul’s church, Brighton. For this, his first major …

Tate Papers

John Constable and Paul Huet: Marsh and Flood

Nicholas Alfrey

This paper revisits a familiar episode in accounts of John Constable’s career – his reception and legacy in France. Paul …

Tate Papers

‘Fire and Water’: Turner and Constable in the Royal Academy, 1831

David Blayney Brown

Pictures by John Constable and J.M.W. Turner hung side by side in the Royal Academy in 1831, an arrangement orchestrated …

Tate Etc

What are you looking at?: Exposed: Voyeurism, Surveillance and the Camera

Sophie Howarth, Shizuka Yokomizo, Chris Verene, Anton Corbijn and Christian Frei

Civilian and military surveillance, mobile phone photography, celebrity snaps… the clandestine photographer has a long history. To coincide with a …

Archives& Access Toolkit

Supporting learning and participation with archives

Reflecting on the role of outreach and reaching widened audiences

Tate Papers

Joseph Beuys and EURASIA

Victoria Walters

In this paper Victoria Walters addresses Joseph Beuys’s interest in the notion of Eurasia – Europe and Asia as a …

In Focus

Reverberation of Heroic Symbols in Later Works

Christian Weikop

Tate In Focus research project exploring Heroic Symbols 1969 by Anselm Kiefer, authored by Christian Weikop
In Focus

Distance: Physical and Political

Rachel Wells

Tate Research In Focus project on Static 2009 by Steve McQueen
Tate Etc

Seven faces of the art vandal

Brian Dillon

From the suffragette who took a cleaver to Velázquez’s Rokeby Venus in the National Gallery in 1914 to the outraged …

Tate Etc

Good Together: Roundtable: Art and Community

Art institutions are increasingly working with local people to think about the role they play in the community. Tate Etc. …

Tate Papers

Alan Uglow: From Britain to America

Daniel Sturgis

The British painter Alan Uglow left London in 1969 to permanently live in New York where he became associated with …

Archives& Access Toolkit

Publishing archive collections online

Supporting the discovery of digitised archive collections through online engagement

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