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School visits to Tate St Ives

Bring your class to Tate St Ives for free

Tate Kids
Photography

Experimental Photography

Explore the magic of photographic image-making and create a unique cyanotype print

Audio Arts: Volume 4 No 1, Side A - Margaret Harrison, Lucy Lippard

Audio Arts

1978

Untitled

Richard Smith

1973

Page 49

Dame Barbara Hepworth

1966

The Strobe

Aldo Tambellini

1965

Tate Kids
Top 5

Top 5 Sculptures

From a dancer pointing their toes to a red stone circle in the desert: be surprised by sculpture with our …

Tate Papers

‘Marx on the Wall’: Muralism and Anglo-American Exchange during the 1930s

Jody Patterson

This article explores English artists’ support for socially engaged public mural painting during the 1930s in relation to international developments, …

Woodcut print of a man playing a guitar by Robert Medley for the Group Theatre

Robert Medley

date not known

View by appointment

POSSIBILITY & IMPOSSIBILITY OF FIXING MEANING Print 1: ‘I Remember Having a Conversation with Liam Gillick’

William Furlong

2009

Workshop PAST EVENT

Sale: With Central Saint Martins

Print cash, buy art and explore the market in a new independent economic state

Page 9

Dame Barbara Hepworth

1970

Ehrenbreitstein, During the Demolition of the Fortress in 1817, from the Quay at Coblentz, engraved by J.C. Allen

After Joseph Mallord William Turner

published 1824

View by appointment

Drawing of birds with pencil note at the bottom reading ‘a goose bone to the seagulls (old saying)’

Paul Nash, recipient: Eileen Agar

��1935–46��

Sketch of a pair of scales placed out of doors below a small window and with strong shadows

Graham Sutherland OM

1959–61

A Three-Master Firing a Gun: Twilight, with a Crescent Moon and a Second Ship in the Distance

Joseph Mallord William Turner

1799

View by appointment

Aerial photograph of the Great Pyramids at Giza, taken during Robert Medley’s Second World War service in Egypt

Robert Medley

��1940–5��

View by appointment

Research

We are committed to generating innovative, high quality research and to sharing our expertise with diverse audiences

Maddy Gilliam

How Does a Gallery Education Programme Adapt to Support Teachers with the Arts During a Pandemic?

Workshop PAST EVENT

Slow Looking Tour: Moving and Seeing

Join us in the galleries for a movement workshop and private view

��

Showing 821–840 of 7,751 results for spring

School visits to Tate St Ives

Experimental Photography

Audio Arts: Volume 4 No 1, Side A - Margaret Harrison, Lucy Lippard

Untitled

Page 49

The Strobe

Top 5 Sculptures

‘Marx on the Wall’: Muralism and Anglo-American Exchange during the 1930s

Woodcut print of a man playing a guitar by Robert Medley for the Group Theatre

POSSIBILITY & IMPOSSIBILITY OF FIXING MEANING Print 1: ‘I Remember Having a Conversation with Liam Gillick’

Sale: With Central Saint Martins

Page 9

Ehrenbreitstein, During the Demolition of the Fortress in 1817, from the Quay at Coblentz, engraved by J.C. Allen

Drawing of birds with pencil note at the bottom reading ‘a goose bone to the seagulls (old saying)’

Sketch of a pair of scales placed out of doors below a small window and with strong shadows

A Three-Master Firing a Gun: Twilight, with a Crescent Moon and a Second Ship in the Distance

Aerial photograph of the Great Pyramids at Giza, taken during Robert Medley’s Second World War service in Egypt

Research

Maddy Gilliam

Slow Looking Tour: Moving and Seeing

Join in

������

Showing 821–840 of 7,751 results for spring

School visits to Tate St Ives

Experimental Photography

Audio Arts: Volume 4 No 1, Side A - Margaret Harrison, Lucy Lippard

Untitled

Page 49

The Strobe

Top 5 Sculptures

‘Marx on the Wall’: Muralism and Anglo-American Exchange during the 1930s

Woodcut print of a man playing a guitar by Robert Medley for the Group Theatre

POSSIBILITY & IMPOSSIBILITY OF FIXING MEANING Print 1: ‘I Remember Having a Conversation with Liam Gillick’

Sale: With Central Saint Martins

Page 9

Ehrenbreitstein, During the Demolition of the Fortress in 1817, from the Quay at Coblentz, engraved by J.C. Allen

Drawing of birds with pencil note at the bottom reading ‘a goose bone to the seagulls (old saying)’

Sketch of a pair of scales placed out of doors below a small window and with strong shadows

A Three-Master Firing a Gun: Twilight, with a Crescent Moon and a Second Ship in the Distance

Aerial photograph of the Great Pyramids at Giza, taken during Robert Medley’s Second World War service in Egypt

Research

Maddy Gilliam

Slow Looking Tour: Moving and Seeing

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