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  • All(3,669)
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Showing 821–840 of 845 results for winter

Tate Papers

‘Truth of Character from Truth of Feeling’: William Hazlitt, ‘Gusto’ and the Linguistic History of Writing on Art

Paul Tucker

Adapting and applying speech act theories of language use, this paper offers a new understanding of the innovative import of …

Tate Papers

Artist Versus Teacher: The Problem of David Bomberg’s Pedagogical Legacy

Kate Aspinall

The British artist David Bomberg’s parallel activities of teaching and painting during his later career are often treated as oppositional. …

Tate Papers

Beuys’s Legacy in Artist-led University Projects

Christa-Maria Lerm Hayes

Joseph Beuys’s Free International University for Creativity and Interdisciplinary Research (FIU), established in the early 1970s, stands at the beginning …

Tate Papers

To Be Continued: Periodic Exhibitions ( dOCUMENTA , for Example): Landmark Exhibitions Issue

Walter Grasskamp

In this paper the author reflects on the early history of the dOCUMENTA exhibitions held every five years in Kassel, …

Tate Papers

Figure and Landscape: Barbara Hepworth’s Phenomenology of Perception

Rachel Smith

Barbara Hepworth’s development of the figure in landscape theme to which she turned increasingly after moving to St Ives in …

Tate Papers

Mira Schendel’s Gesture: On Art in Vilém Flusser’s Thought, with ‘Mira Schendel’ by Flusser

Nancy Ann Roth

In his theory of communication, philosopher and writer Vilém Flusser (1920–1991) referred to art often, yet unsystematically. This article proposes …

Exhibition Guide

Hyundai Commission:: Cecilia Vicuña: Brain Forest Quipu

Delve deeper into the 2022 Turbine Hall commission

In Focus

A Belated ‘Breakthrough’ to Abstraction

AnnMarie Perl

In Focus study by AnnMarie Perl on Meryon 1960–1 by Franz Kline, a Tate Research publication
Tate Papers

Dialogue, Encounter, Exchange: Joseph Beuys’s Visual and Textual Presence in Art into Society – Society into Art (1974)

Tara Galliver

Joseph Beuys’s participation in the influential exhibition Art into Society – Society into Art: Seven German Artists, held in …

Tate Papers

Madame Zborowska and Portrait of a Student: A Case Study of Two Paintings Not Included in Ambrogio Ceroni’s Modigliani Publication of 1970

Simonetta Fraquelli, Vivien Greene, Annette King, Lena Stringari and Joyce H. Townsend

Two of Modigliani’s portraits made between 1918 and 1919 were not included in the most widely accepted catalogue of the …

Tate Papers

Lost and Found? Hamad Butt at Tate

Andrew Cummings

This article constructs a ‘pre-history’ of °Õ²¹³Ù±ð’s acquisition of Hamad Butt’s final major installation work, Familiars. Taking into account …

Tate Papers

Face-Off in Weimar Culture: The Physiognomic Paradigm, Competing Portrait Anthologies, and August Sander’s Face of Our Time

Wolfgang Brückle

August Sander’s photobook Face of Our Time is discussed in relation to interest in physiognomy in Weimar Germany. Much of …

Tate Papers

Biopolitical Effigies: The Volatile Life-Cast in the Work of Paul Thek and Lynn Hershman Leeson

Milena Tomic

In the late 1960s and early 1970s American artists Paul Thek and Lynn Hershman Leeson independently created wax effigies and …

Tate Papers

Frank Bowling: Material Explorations

Laura Homer

This paper establishes a technical art history of the paintings of Frank Bowling and chronicles materials and techniques used by …

Tate Papers

The Value of Values: Reflections on Tate Exchange

Anna Cutler

This paper aims to explore the frames of practice that were constructed or improvised in Tate Exchange over its first …

Tate Papers

‘Not Incorrect and Particularly Not Irrelevant’: Joseph Beuys and Henning Christiansen, 1966–71

Peter van der Meijden

Between 1966 and 1971, Danish composer Henning Christiansen (1932–2008) appeared in eight of Joseph Beuys’s actions. This article examines the …

Tate Papers

‘Layers of Looking’: Changing Surfaces in the Paintings of Gary Hume

Rachel Scott, Helen Brett and Bronwyn Ormsby

This article explores issues of change in the high gloss surfaces of four of Gary Hume’s paintings: Incubus 1991, Water …

Tate Papers

Learning through the Acquisition and Display of Works by Ima-Abasi Okon: Enacting Radical Hospitality through Deliberate Slowness

Libby Ireland

As part of the research project Reshaping the Collectible: When Artworks Live in the Museum, practice-based research was undertaken in …

Tate Papers

The Geometry of Syntactics, Semantics and Pragmatics: Anthony Hill’s Concrete Paintings

Sam Gathercole

Between 1952 and 1956, the British artist Anthony Hill made a small number of abstract, concrete paintings before turning away …

Where Theory Belongs: Four Ways to Experience a Seminar in Contemporary Art

Dr Stephen Wilson

Exploring how the format of the seminar as used in contemporary art education is developing, and the social, economic and …

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