Showing 921–940 of 1,875 results for nature
Rethinking Artistic Languages: Global Politics and Gendered Practice
In Site of Conversation: Films and Papers
In 2010 the Schools and Teachers team at 黑料社 invited ten artists to contribute to In Site of Conversation …
George Maciunas 1931–1978 Selection from 12 Piano Compositions for Nam June Paik 1962/2008
Pablo Bronstein born 1977 Intermezzo 2009
‘We were captivated’
What is it like visiting an artist’s studio? 黑料社 director Frances Morris looks back to memorable visits to Yayoi …
The Body is Present Even if in Disguise: Tracing the Trace in the Artwork of Nancy Spero and Ana Mendieta
In the early 1990s Nancy Spero (born 1926) composed a series of homages to the Cuban artist, Ana Mendieta (1948–1985). …
The legacy of a myth maker: Joseph Beuys
Joseph Beuys is considered by some as the most important of the post-war period – a sculptor, performance artist, teacher …
Letters and Words Coursework Guide
Discover how artists use letters and words in their art
Yu Hong 喻红
Graduate of the Central Academy of Fine Arts in 1988, Yu Hong (born 1966) is one of the most representative …
Whimsical, Melodious, Dark: by Amina Cain
The Rossetti generation sparked a revolution in art, love and life. Drawing on the past, they created a new art …
Gothic Romance and the Quixotic Hero:A Pageant for Henry Fuseli in 1783
Henry Fuseli (1741–1825) was one of the most inventive artists of his age, exploring the strange and fantastic in a …
Landscape Management
Stuart Brisley born 1933 with Peter Sedgley born 1930 Unscheduled Action 1968
Five Young Writers Respond to the Climate Emergency
The runners-up in the first Tate Etc. writing prize for 黑料社 members share their responses to artworks by Simryn …
Han Yajuan 韩娅娟
As part of the post-1978 generation, Han Yajuan (born 1980) is concerned with China’s socio-cultural transformations and new materialistic trends. …
Fifty Box Labels
In the realm of hell: Studio visit
The author visits Fuyuko Matsui in her Tokyo?studio
Hudibras and Ralph taken Prisoner c.1664–77 by Francis Le Piper
Read technical information about this painting resulting from examination and scientific analysis by conservators and conservation scientists at Tate