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  • All(6,366)
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Showing 921–940 of 1,208 results for summer

Tate Papers

The Military-Pastoral Complex: Contemporary Representations of Militarism in the Landscape: Art & Environment

Matthew Flintham

Examining works of contemporary art that have engaged with militarised landscapes, Matthew Flintham reflects on the ruination of outmoded military …

Tania Bruguera born 1968 Tatlin’s Whisper #5 2008

Jonah Westerman

As part of Performance at Tate: Into the Space of Art, Jonah Westerman explores Tania Bruguera's Tatlin’s Whisper #5 2008
Talking Point

Why study art?

Find out why art education is important from artists, young people and major cultural figures

Online Guide

Women and Power

Explore stories of women’s empowerment across the centuries through works in our collection

Exhibition Guide

Capturing the Moment

Find out more about our exhibition at ºÚÁÏÉç

In Focus

Martyrdom and Mediation

Chad Elias

Chad Elias explores On Three Posters 2004 by Rabih Mroué for Tate In Focus.
Tate Etc

Interview: Gerard Byrne

To coincide with the exhibition of Gerard Byrne’s new film work A Thing Is A Hole In A Thing …

Tate Etc

'We will go right up to the sun': The EY Exhibition: Sonia Delaunay

Juliet Bingham

An important figure in the Parisian avant-garde, Sonia Delaunay (1885–1979) brought extraordinary inventiveness to a range of works, which celebrated …

Tate Etc

The drink that fuelled a nation's art: Degas, Sickert and Toulouse-Lautrec

Jad Adams

The Green Goddess haunted a nation and fuelled its art, including that of Degas, Sickert and Toulouse-Lautrec.

Tate Etc

Into the Light

Following Morocco’s independence from colonial rule, a new wave of artists revolutionised an art school in Casablanca. Turning it into …

Tate Papers

Weathering the Storm: Ben Enwonwu’s Biafrascapes and the Crisis in the Nigerian Postcolony

Matthew Lecznar

This article appraises Nigerian artist Ben Enwonwu’s contribution to postcolonial modernism in Nigeria through an analysis of his artistic responses …

Tate Papers

Transforming Collections Information at Tate: The Case for an Embedded, Artist-Directed and Object-Centred Ethos

Anjalie Dalal-Clayton

Public art institutions in the United Kingdom have been critiqued for emphasising socio-political interpretations of Black and brown artists’ works …

Tate Papers

Works by Modigliani that have Paintings beneath the Visible Surface

Anaïs Genty-Vincent, Simonetta Fraquelli, Annette King, Allison Langley, Jennifer Mass, Kim Muir, Mina Porell, Marie-Amélie Senot, Anya Shutova and Joyce H. Townsend

Recent technical studies of the Italian artist Amedeo Modigliani’s paintings have revealed that he frequently used canvas supports that already …

Tate Papers

Emerson’s Evolution

Carl Fuldner

British photographer Peter Henry Emerson’s dramatic recantation of his beliefs about photography and art forms a canonical yet perplexing episode …

Tate Papers

As Seen: Modern British Painting and Visual Experience

Louise Hughes and Robert Pepperell

During the twentieth century several important British artists began to paint features of visual experience rarely ever painted before, including …

Tate Papers

No End to the End: The Desert as Eschatology in Late Modernity

Matilde Nardelli

At the height of the Cold War, artists, writers and filmmakers in America turned to the desert as a space …

Tate Papers

Aleksandr Rodchenko’s Lines of Force

Brandon Taylor

Rodchenko’s research into the concept of line was fundamental to the ambitions of Russian constructivism. Careful examination of his paintings …

Tate Papers

Wild Geese Over the Mountains: Melodrama and the Sublime in the English Imaginary 1933–9: The Sublime Object

Ian Patterson

The paper traces the frequency with which familiar tropes of the sublime are used in the writing and painting of …

Workshops and conferences

Read information about the workshops hosted by the Refiguring American Art project and abstracts from the major international conference held …

Tate Papers

‘Layers of Looking’: Changing Surfaces in the Paintings of Gary Hume

Rachel Scott, Helen Brett and Bronwyn Ormsby

This article explores issues of change in the high gloss surfaces of four of Gary Hume’s paintings: Incubus 1991, Water …

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