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  • All(7,745)
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Showing 961–980 of 1,744 results for self-portrait

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5 things to know about Mike Kelley

One of the most influential artists of our time

Tate Etc

A Rye view: Edward Burra

Desmond Corcoran

He had six paintings in London’s International Surrealist Exhibition in 1936, but was never formally a surrealist. His work has …

Teaching Resource

£5 School Exhibition Tickets ºÚÁÏÉç

Tate Etc

Nostalgia as nature intended: Tate Britain rehang In Focus II

Anne Lyles

A new series of In Focus displays at Tate Britain takes an in-depth look at artworks as well as items …

Tate Papers

All Systems Go: Recovering Jack Burnham’s ‘Systems Aesthetics’

Luke Skrebowski

Jack Burnham’s systems aesthetics was one of the first, fully developed, critical theories of postformalist artistic practice. Yet Burnham, undeservedly, …

Tate Etc

Toby Treves on Peter Lanyon

Toby Treves

In 1959 Peter Lanyon (1918–1964) learned to fly a glider, an activity that transformed his understanding of the air and …

Tate Papers

Cy Twombly’s Humanist Upbringing

Carol A. Nigro

In the United States postmodern scepticism often has relegated Cy Twombly’s engagement with classical and humanist themes to nostalgia, irrelevance …

Tate Papers

Time-Lines: Rilke and Twombly on the Nile

Mary Jacobus

Cy Twombly’s remark that ‘lines have a great effect on painting’ resonates not only with his graphic practice but with …

Tate Etc

Stories from El-Salahi's garden: Ibrahim El-Salahi at ºÚÁÏÉç

Hassan Musa

The Sudanese artist Ibrahim El-Salahi (born 1930) is a significant figure in African and Arab modernism, whose work reflects a …

Tate Etc

Art for Every Body?

Alex Pilcher

Many museums and galleries now put queer culture on display, but, argues Alex Pilcher, true recognition may continue to elude …

Tate Etc

Q&A: Shawanda Corbett

The artist talks to curators Bilal Akkouche and Hannah Marsh about her new Art Now exhibition which blends ceramics, performance …

Tate Papers

The Rules of the Game

Walter Grasskamp

Walter Grasskamp, The Rules of the Game; Tate Papers no.8
Tate Papers

Why/Why Not Replicate?

Jennifer Mundy

Jennifer Mundy, Why/Why Not Replicate?; Tate Papers no.8
In Focus

The New York Graphic Workshop, 1964–70

Sophie Halart

Tate Research publication 'In Focus: Wrinkle 1968 by Liliana Porter' by Sophie Halart, published January 2018

6: Exhibitions and Displays

Tim Batchelor

This curatorial essay by Tim Batchelor explores the special exhibitions at Tate dedicated to William Hogarth. Written to accompany BP …
Online Guide

Queerate Tate

A digital exhibition co-curated by members of the LGBTQIA+ community from all over the world

Tate Papers

William Hazlitt’s Account of ‘Mr Angerstein’s Collection of Pictures’

Susanna Avery-Quash

Hazlitt’s account of the Angerstein Collection was published anonymously in 1822, two years before Lord Liverpool purchased thirty-eight pictures from …

In Focus

Dirty Earth

Randall Edwards

Salt Flat as example of Oppenheim’s ‘transplants’, and the work’s relationship to the land | by Randall Edwards | In …
Tate Etc

An exchange of letters in advance of TV: Will Stuart's artist's project

Stuart Bailey and Will Holder

°Õ´Ç³Ü°ù±ð³Ù³Ù±ð’s – an ongoing project by Will Holder and Stuart Bailey – has taken the form of magazines, a series …

Tate Etc

Where the wild things are: Animals

Massimiliano Gioni

When Chinese artist Huang Yong Ping was forced to expel the beasties that inhabited his Theater of the World he …

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