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Showing 981–1,000 of 1,207 results for summer

Tate Etc

The Hidden Hand: Marco Pasi

Art is usually made by the ‘hand of the artist’, but for centuries artists, from William Blake and Georgiana Houghton …

Tate Etc

The aesthetics of documentary

Mark Cousins

‘Documentary is intrinsically aesthetic,’ argues Mark Cousins, ‘it is as much about shots and cuts, structure and rhythm as …

Tate Etc

Paradise

Hisham Matar

This writer considers his affinity for the early Renaissance paintings of the Sienese school, finding in one work the universal …

Tate Etc

White Hoods, White Masks

Philip Guston’s paintings call attention to some of the most urgent issues of his time, and ours. But to what …

Tate Etc

A Fragile Form of Transport

Jamila Prowse travels to Towner Eastbourne to take in this year’s Turner Prize, reflecting on questions of access, collaboration and …

Tate Papers

Hélio Oiticica

Guy Brett

Guy Brett, Hélio Oiticica, and the question of replicas and replication. Tate Papers no.8
In Focus

The Scroll as a Literary Model in Bloomsbury: Virginia Woolf’s ‘Kew Gardens’

Christopher Townsend

Tate Papers

Afterthoughts: Introduction

Matthew Gale

Matthew Gale , Afterthoughts: Introduction; Tate Papers no.8
In Focus

Space Without Place: Francis’s Travel Paintings

Elizabeth Buhe

Tate Papers

Participant Biographies

Participant Biographies; Tate Papers no.8, following the Inherent Vice confernece on the replication of fragile and disintegrating scultpure

The Promises of Learning on Our Own Time (and In Our Own Way)

Shirley Brice Heath

The conference in which this paper was delivered took place in London just as the 2012 Olympics and Paralympics ended. …

Tate Etc

Anni Albers: Weaving Magic

Briony Fer

As a student at the Bauhaus in Germany in the early 1920s, Anni Albers found artistic freedom in the weaving …

Tate Papers

Paolozzi’s Pop New Brutalist World: Rothenstein Lecture

Alex Potts

In its engagement with mass media and modern industry, the work of Eduardo Paolozzi combined pop tendencies with the logic …

Look Closer

Explore From Tarzan to Rambo

Sonia Boyce explores her own sense of self in relation to media images of blackness and whiteness in the work …

Tate Papers

A Dramatic Reading of Augustus Leopold Egg’s Untitled Triptych

Annabel Rutherford

This article explores the significance of the theatrical and literary references found in the triptych Past and Present 1858 by …

Tate Papers

The Other Story and the Past Imperfect

Jean Fisher

The Other Story, 1989, the first retrospective exhibition of British African, Caribbean and Asian modernism, was received with derision …

Tate Papers

Severance: Jessa Fairbrother’s Conversations with My Mother 2016

Jennifer Mundy

In her artist book Conversations with My Mother, self-published in 2016, Jessa Fairbrother explores the complex emotions she felt …

Tate Papers

Abject Modernism: The Male Body in the Work of Tatsumi Hijikata, Günter Brus and Rudolf Schwarzkogler

Lucy Weir

Focusing on the works of Tatsumi Hijikata, Günter Brus and Rudolf Schwarzkogler, this paper examines the representation of the male …

Tate Papers

That Uncertain Object: David Sylvester’s Conception of Criticism as a Personal Affair

Brendan Prendeville

It has become almost routine to dismiss direct and ‘unmediated’ analyses of artworks but in this essay Brendan Prendeville argues …

Essay

How to spin the colour wheel, by Turner, Malevich and more

We take a quick skip through colour theory, and how some of modern art's giants have put it into practice 

Artwork
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