Showing 1,101–1,120 of 1,935 results for spring
Waves and Tides
Tate Liverpool Director Helen Legg and Curator Darren Pih discuss the new collection display at the gallery, and the city …
Pang Pang: By Dominique Heyse-Moore
Like the ‘protective culture’ of carnival, Alvaro Barrington’s new commission offers a warm, resounding welcome to the historic galleries at …
Building on Tradition
Best known for his vast, cascading sculptures made from thousands of recycled bottle caps, El Anatsui will unveil his new …
Spinning Light
Since the early 1960s, Liliane Lijn has made work at the crossroads between art, science and literature. Drawing from schools …
An Alternative National Gallery: Blake’s 1809 Exhibition and the Attack on Evangelical Culture
This essay suggests that Blake’s 1809 exhibition was haunted by the memory of the Irish painter James Barry (1741–1806) and …
Zanele Muholi
Find out more about our exhibition at ºÚÁÏÉç
Living colour: Hélio Oiticica
Hélio Oiticica’s Brazilian arts flourished in the 1950s, originating with the Modernist movement of the 1920s, and Oiticica became a …
A matter of time
The ability to play with time, stretching and quickening it is a distinctively modern phenomenon, since the advent of photography …
Mapping the Field: Lawrence Alloway’s Art Criticism-as-Information
Lawrence Alloway claimed that the art critic should avoid explicit value judgements and instead provide information. This paper historicises Alloway’s …
Landscapes of Science Fiction
ARTIST ROOMS: Jenny Holzer
Explore the room guide for the ARTIST ROOMS: Jenny Holzer exhibition at ºÚÁÏÉç
Realising the Potential of Artist-Child Learning Encounters at ArtPlay
The City of Melbourne’s ArtPlay is open to children aged three to thirteen years and provides a wide range of …
Interview with Rabih Mroué
Stage and Screen
Adam: An Early Exhibition and Ownership History
The C C Land Exhibition: Pierre Bonnard: The Colour of Memory
Explore the exhibition at ºÚÁÏÉç room by room