Showing 1,101–1,120 of 1,207 results for summer
Dance, Theatre and Performance
A contemporary visionary (part I): Peter Fischli on Sigmar Polke
Sigmar Polke (1941–2010) was one of the most inventive and influential artists of recent times. A leading figure in the …
What is the museum of the future?
As the new ºÚÁÏÉç building moves closer towards completion, its director Chris Dercon gives his view of the expanded …
Where Theory Belongs: Four Ways to Experience a Seminar in Contemporary Art
Exploring how the format of the seminar as used in contemporary art education is developing, and the social, economic and …
The EY Exhibition:: Cezanne
Find out more about our exhibition at ºÚÁÏÉç
An exchange of letters in advance of TV: Will Stuart's artist's project
°Õ´Ç³Ü°ù±ð³Ù³Ù±ð’s – an ongoing project by Will Holder and Stuart Bailey – has taken the form of magazines, a series …
The Management of Display Equipment in Time-based Media Installations
Time-based media installations are works of art that incorporate audio, film, video, 35 mm slides or computer-based elements. This paper …
‘Are We as a Society Going to Carry on Treating People This Way?’ Michael Landy’s Scrapheap Services
During the 1990s Michael Landy made four major installations, including Scrapheap Services, 1995. Although motivated by personal concerns, these installations …
Explore the art of Vija Celmins
Find out about the subjects, ideas and processes behind Celmins's meticulous drawings, paintings and prints
Queerate Tate
A digital exhibition co-curated by members of the LGBTQIA+ community from all over the world
Medium: Seeing, Stasis and Movement
Rethinking Artistic Languages: Global Politics and Gendered Practice
Art for fiction's sake: The art of writing
In the Studio: Will Self tracks the ever-changing relationship between the literary and visual arts from John Keats to J.G. …
Seeing Salt Flat
We love you, Yoko
To celebrate the largest exhibition of Yoko Ono’s work ever to be staged in the UK, we bring together 18 …
Drawing in the Dark: Involuntary Drawing
Susan Morris approaches the subject of involuntary drawing from the point of view of an artist trying to make a …
Who Will Sing the Song? Learning Beyond Institutional Critique
This essay addresses institutional critique in relation to learning in the art museum. It aims to introduce an alternative approach …
Stubbs, Walpole and Burke: Convulsive Imitation and ‘Truth Extorted’: The Sublime Object
This essay examines the relationship between George Stubbs’s Lion and Horse series of paintings and the redefinition of the sublime …