Showing 1,201â1,220 of 1,230 results for summer
Commitment and Desire in Sharon Hayesâs Ricerche: three 2013
This article examines Sharon Hayesâs video work Ricerche: three 2013 and the way it represents and mediates the often-painful psychic âŠ
Introduction
Introduction to In Focus research project on String Composition 128 1964 by Sue Fuller, authored by Alex Taylor with contributions âŠ
âWaste Dominionâ, âWhite Warfareâ, and Antarctic Modernism
This paper considers the historical coincidence of modernism and the heroic age of Antarctic exploration. In particular, it contextualises allusions âŠ
Index, Diagram, Graphic Trace: Involuntary Drawing
The graphic trace is a hybrid type of representation: it takes from the index a registration of something unique â âŠ
Conserving Mark Rothkoâs Black on Maroon 1958: The Construction of a âRepresentative Sampleâ and the Removal of Graffiti Ink
This paper describes the preparation of a ârepresentative sampleâ and the investigation and refining of the solvent system used to âŠ
Carlos Cruz-Diezâs Physichromies: Between Centre and Periphery
In 1959 the Franco-Venezuelan kinetic artist Carlos Cruz-Diez developed his first abstract series of works, named the Physichromies. These âŠ
The Biennial Under Contestation: Local Perspectives on the Tenth SĂŁo Paulo Biennial (1969)
The international boycott of the tenth SĂŁo Paulo Biennial (1969) is widely cited as a successful political intervention. The emphasis âŠ
Artists, art, the media and the public: Turner Prize
Each year the Turner Prize generates media coverage which gives only a fleeting idea of the practice of the artists âŠ
Uncovering Professionalism in the Art Museum: An Exploration of Key Characteristics of the Working Lives of Education Curators at șÚÁÏÉç
This paper attempts to articulate the distinctive qualities of the work of education curators at șÚÁÏÉç in relation to âŠ
Homage to Bacon
We bring together a mix of writers, museum directors, artists, musicians and filmmakers to pay homage to the legendary artist
Pop Art and the Socialist âThingâ: DuĆĄan OtaĆĄeviÄ in the 1960s
The early work of DuĆĄan OtaĆĄeviÄ constitutes a rare example of the influence of Anglo-American pop on an eastern European âŠ
The Construction of Whiteness, Gender and Race in Early Modern Portraits: Marcus Gheeraerts IIâs Portrait of an Unknown Lady c.1595
This series of articles examines the construction of whiteness in three early modern portraits in the Tate collection: The Cholmondeley âŠ
Dust and Doubt: The Deserts and Galaxies of Vija Celmins
This article considers one work on paper by Vija Celmins in the ARTIST ROOMS collection: Untitled (DesertâGalaxy) 1974. In a âŠ
Curating Spaces for Not-Knowing
This paper discusses a research study undertaken at Tate Liverpool in 2013â16 that investigated experiences of co-creating knowledge about the âŠ
Decolonising Nigerian Modernism: Ben Enwonwuâs âIdentity in Politicsâ
The personal archive of the celebrated Nigerian modernist painter Ben Enwonwu (1917â1994) reveals his understanding of the effects of colonialism âŠ
Andrei Tarkovsky and Contemporary Art: Medium and Mediation
The rediscovery of the Soviet film director Andrei Tarkovsky (1932â1986) as an artist in the cinema allows us to see âŠ
Cinematic Drawing in a Digital Age
Developed in relation to works by Tacita Dean and William Kentridge, this article explores the way in which the arrival âŠ
To Dispel a Great Malady: Robinson in Ruins , the Future of Landscape and the Moving Image: Art & Environment
Patrick Keillerâs film Robinson in Ruins was made as part of an AHRC project, âThe Future of Landscape and the âŠ