ºÚÁÏÉç

Examining August Sander¡¯s Der Bauer group of photographs in relation to the historical representation of peasants in German art, Christian ¡­

Joseph Beuys¡¯s use of unconventional materials, such as felt, wax, and fat, characterise his artworks. Whilst museums strive to obtain ¡­

This article traces the ways in which the understanding and expression of global African culture and citizenship evolved across a ¡­

Joseph Beuys¡¯s participation in the influential exhibition Art into Society ¨C Society into Art: Seven German Artists, held in ¡­

This article constructs a ¡®pre-history¡¯ of °Õ²¹³Ù±ð¡¯²õ acquisition of Hamad Butt¡¯s final major installation work, Familiars. Taking into account ¡­

Lin Jingjing (born 1970) employs varied media including video, photography and performance to explore notions of social and personal identity ¡­

This essay explores the associations made by William Hazlitt between the work of the Elizabethan poet Edmund Spenser and paintings ¡­

Tracing the evolution of the domestic in English cultural discourse over the first half of the nineteenth century, this paper ¡­

This paper aims to explore the frames of practice that were constructed or improvised in Tate Exchange over its first ¡­