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Doug Aitken at Tate Liverpool ¨C The American artist has created his first public realm installation in the UK, featuring ¡­

The arts need to be an integral part of the traditional set of subjects taught at schools if we want ¡­

¡®Art is one of the few spaces left to seek an audience¡¯: Aboriginal artist Richard Bell is searching for solidarity ¡­

The British painter Alan Uglow left London in 1969 to permanently live in New York where he became associated with ¡­

This paper shows how the Philippine visual art scene of the 1960s and 1970s offered particularly fertile ground for early ¡­

This paper looks at a number of exhibitions planned and installed by artists from the late 1950s until the present. ¡­

The British avant-garde group was formed in London in 1914 by the artist, writer and polemicist Wyndham Lewis. Their idea, ¡­

Cai Jin (born 1965) works with oil paint in vibrant colours. Her most celebrated work is the Banana Plant series, ¡­

Find out more about our exhibition at Tate Britain

Read information about the workshops hosted by the Refiguring American Art project and abstracts from the major international conference held ¡­

This series of articles examines the construction of whiteness in three early modern portraits in the Tate collection: The Cholmondeley ¡­

Cy Twombly¡¯s remark that ¡®lines have a great effect on painting¡¯ resonates not only with his graphic practice but with ¡­

In order to ask how has practice as research left imprints in disciplinary boundaries, I have turned the question into ¡­

This paper explores how Joseph Beuys interpreted philosopher Friedrich Nietzsche¡¯s concepts of the ¡®Great Reason of the Body¡¯ and the ¡­

Countering the characterisation of August Sander¡¯s work as politically neutral, Rose-Carol Washton Long argues that the ¡®The Persecuted¡¯ and ¡®Political ¡­

He preferred to be seen as an artist within the great European tradition of Juan Gris and Georges Braque, while ¡­

Last year Tate bought Roman Ondak¡¯s Good Feelings in Good Times, which consists of a queue that can be ¡­

Get to know the team working on ¡®Reshaping the Collectible: When Artworks Live in the Museum¡¯. This research project is ¡­

The Art Now artist talks to us about her new work, what it feels like to paint on the walls ¡­